CD-Charts Position 1
Average Rating:

Aion

Search: The Arrival And The Reunion
by: Dead Can Dance

Release Date February 15, 1994
On Spleen and Ideal and the magnificent Within the Realm of a Dying Sun, Lisa Gerrard and Brendan Perry created music that, though it clearly had echoes in many masterpieces from the 1970s, was completely unlike anything before it and especially unlike most of what was coming out of the underground in the 1980s. Whereas many people seemed to think that the way to make music dark is to make is loud, fast, and angry in a way that is violent and macho whether it intends to be or not, Dead Can Dance showed that the way to make music really dark was to create atmospheres with genuine depths. On the two abums mentioned above they did this by means of beats that were slow but made more intense by the fact, combined with horns and beats like Parliament ... Read More:

CD-Charts Position 2
Average Rating:

Aion

Search: The Arrival And The Reunion
by: Dead Can Dance

Release Date April 29, 2008
On Spleen and Ideal and the magnificent Within the Realm of a Dying Sun, Lisa Gerrard and Brendan Perry created music that, though it clearly had echoes in many masterpieces from the 1970s, was completely unlike anything before it and especially unlike most of what was coming out of the underground in the 1980s. Whereas many people seemed to think that the way to make music dark is to make is loud, fast, and angry in a way that is violent and macho whether it intends to be or not, Dead Can Dance showed that the way to make music really dark was to create atmospheres with genuine depths. On the two abums mentioned above they did this by means of beats that were slow but made more intense by the fact, combined with horns and beats like Parliament slowed ... Read More:

CD-Charts Position 3
Average Rating:

1981-1998

Search: The Arrival And The Reunion
by: Dead Can Dance

Release Date November 06, 2001
Like a few other fans of this band I had to have an inner debate as to whether or not to purchase this box set. The truth being that any serious fan would already have most of this material. This brings us to the "Box-set debate". Should a box set have more previously unreleased things or should a box set have absolutely everything the group has ever done as in the case of the Police box set which claims to have "every note"? The truth here is that spread across three studio CDs this has about 9 or so tracks that are unavailable anywhere else plus some that were only on their previous compilation album. So I was going to have to be buying a bunch of songs I already had at a not-cheap price as this set is apparently out of print and only available at high used ... Read More:

CD-Charts Position 4
Average Rating:

Aion [Re-Mastered]

Search: The Arrival And The Reunion
by: Dead Can Dance

Release Date July 22, 2008
On Spleen and Ideal and the magnificent Within the Realm of a Dying Sun, Lisa Gerrard and Brendan Perry created music that, though it clearly had echoes in many masterpieces from the 1970s, was completely unlike anything before it and especially unlike most of what was coming out of the underground in the 1980s. Whereas many people seemed to think that the way to make music dark is to make is loud, fast, and angry in a way that is violent and macho whether it intends to be or not, Dead Can Dance showed that the way to make music really dark was to create atmospheres with genuine depths. On the two abums mentioned above they did this by means of beats that were slow but made more intense by the fact, combined with horns and beats like Parliament slowed down to ... Read More:

CD-Charts Position 5
Average Rating:

Aion

Search: The Arrival And The Reunion
by: Dead Can Dance

Release Date February 15, 1994
On Spleen and Ideal and the magnificent Within the Realm of a Dying Sun, Lisa Gerrard and Brendan Perry created music that, though it clearly had echoes in many masterpieces from the 1970s, was completely unlike anything before it and especially unlike most of what was coming out of the underground in the 1980s. Whereas many people seemed to think that the way to make music dark is to make is loud, fast, and angry in a way that is violent and macho whether it intends to be or not, Dead Can Dance showed that the way to make music really dark was to create atmospheres with genuine depths. On the two abums mentioned above they did this by means of beats that were slow but made more intense by the fact, combined with horns and beats like Parliament slowed down to 7 revs ... Read More: