CD-Charts Position 1

Igor Stravinski [Box] [Germany]

Search: La Foule
by: Various Artists

Release Date April 27, 2006

CD-Charts Position 2
Average Rating:

Offenbach: La belle Hélène

Search: La Foule
from: Angel Records

Release Date August 05, 2002
Too much talk,, thank you for editing,but you got to be good at it, tipical Operetta Offenbach..

CD-Charts Position 3
Average Rating:

Fiesta Espanola

Search: La Foule
by: Various Artists

Release Date November 03, 1998
Too much talk,, thank you for editing,but you got to be good at it, tipical Operetta Offenbach..

CD-Charts Position 4
Average Rating:

Baila Baila Baila

Search: La Foule

Release Date August 05, 2008
Too much talk,, thank you for editing,but you got to be good at it, tipical Operetta Offenbach..

CD-Charts Position 5
Average Rating:

Carmen / Troyanos, Domingo, van Dam, Te Kanawa; Sir Georg Solti

Search: La Foule
by: Georges Bizet, London Philharmonic Orchestra, Tatiana Troyanos, Plácido Domingo, Sir Georg Solti, José van Dam, Kiri Te Kanawa, Norma Burrowes, Jane Berbié, John Alldis Choir

Release Date October 25, 1990
First of all, History:

Carmen is not a grand opera. The belief in the opposite is one of the most artistically catastrophic malapropisms in the history of Western music. Georges Bizet, the greatest French composer of his day (in the world of Charles Gounod and Jacques Offenbach), is remembered today as a tiger of a conductor, an unbending an inflexible stalwart of musical realism, anti-establishment, and verismo (that red-blooded dramatic art perfected in part by Puccini and Mascagni). He composed Carmen in the tradition of the opéra-comique, an operatic sphere dating back to Mozartian comedy a la Le Nozze di Figaro, with musical sections accompanied by spoken recitatives or dialogues.

The Homeric tale of opera's ... Read More:

CD-Charts Position 6
Average Rating:

Notre Dame de Paris/Victor Hugo

Search: La Foule
by: Andre Dussollier

Release Date April 04, 2003
First of all, History:

Carmen is not a grand opera. The belief in the opposite is one of the most artistically catastrophic malapropisms in the history of Western music. Georges Bizet, the greatest French composer of his day (in the world of Charles Gounod and Jacques Offenbach), is remembered today as a tiger of a conductor, an unbending an inflexible stalwart of musical realism, anti-establishment, and verismo (that red-blooded dramatic art perfected in part by Puccini and Mascagni). He composed Carmen in the tradition of the opéra-comique, an operatic sphere dating back to Mozartian comedy a la Le Nozze di Figaro, with musical sections accompanied by spoken recitatives or dialogues.

The Homeric tale of opera's ... Read More:

CD-Charts Position 7
Average Rating:

Soulagez-Vous Dans les Urnes!

Search: La Foule
by: Trust

Release Date May 30, 2007
First of all, History:

Carmen is not a grand opera. The belief in the opposite is one of the most artistically catastrophic malapropisms in the history of Western music. Georges Bizet, the greatest French composer of his day (in the world of Charles Gounod and Jacques Offenbach), is remembered today as a tiger of a conductor, an unbending an inflexible stalwart of musical realism, anti-establishment, and verismo (that red-blooded dramatic art perfected in part by Puccini and Mascagni). He composed Carmen in the tradition of the opéra-comique, an operatic sphere dating back to Mozartian comedy a la Le Nozze di Figaro, with musical sections accompanied by spoken recitatives or dialogues.

The Homeric tale of opera's ... Read More:

CD-Charts Position 8
Average Rating:

100 Choeurs de Legende

Search: La Foule
by: Choeurs

Release Date January 13, 2008
First of all, History:

Carmen is not a grand opera. The belief in the opposite is one of the most artistically catastrophic malapropisms in the history of Western music. Georges Bizet, the greatest French composer of his day (in the world of Charles Gounod and Jacques Offenbach), is remembered today as a tiger of a conductor, an unbending an inflexible stalwart of musical realism, anti-establishment, and verismo (that red-blooded dramatic art perfected in part by Puccini and Mascagni). He composed Carmen in the tradition of the opéra-comique, an operatic sphere dating back to Mozartian comedy a la Le Nozze di Figaro, with musical sections accompanied by spoken recitatives or dialogues.

The Homeric tale of opera's ... Read More:

CD-Charts Position 9
Average Rating:

Choeurs d'Operas Italiens

Search: La Foule
by: Lamberto Gardelli

Release Date January 13, 2008
First of all, History:

Carmen is not a grand opera. The belief in the opposite is one of the most artistically catastrophic malapropisms in the history of Western music. Georges Bizet, the greatest French composer of his day (in the world of Charles Gounod and Jacques Offenbach), is remembered today as a tiger of a conductor, an unbending an inflexible stalwart of musical realism, anti-establishment, and verismo (that red-blooded dramatic art perfected in part by Puccini and Mascagni). He composed Carmen in the tradition of the opéra-comique, an operatic sphere dating back to Mozartian comedy a la Le Nozze di Figaro, with musical sections accompanied by spoken recitatives or dialogues.

The Homeric tale of opera's ... Read More:

CD-Charts Position 10
Average Rating:

Odyssee

Search: La Foule
by: Passi

Release Date April 02, 2007
Purchased CD in Montreal and have played it almost every day ever since. Excellent blend of styles integrated in this album--with a wee bit of social commentary thrown in as well.