Welcome to The CD Charts, here you will find all the latest and top selling Music cds available to buy online. You can search and locate the best selling Music cd's and have them delivered to the door. We have a large selection of Music all with reviews.
Release Date September 13, 2005
He is indeed missed!!! What a blessing to have this CD to hear and remember one of the world's greatest tenors. Highly recommend!
Release Date March 30, 1999
The music on this cd is excellent. I would listen to it on my commute home from work, and it keeps me from getting annoyed with traffic. I would just focus on the rhythms and soothing sounds.
Release Date February 27, 2001
I'm new to opera, but this CD has really beautiful music. I use it in my CD clock radio (Timex, that I purchased here also) to go to sleep to.
Release Date April 12, 1994
Maybe these don't represent absolutely the greatest duets in all opera. But they represent some awfully good ones! The CD begins with a duet from "Les Pecheurs des Perles" (Puccini) and ends with the gloomy Miserere (from "Il Trovatore," by Verdi). In between are many more operas, from Donizetti and Mozart to Strauss and Wagner. Some of the finer singers of the past half century appear in various of these duets.
A bit more detail on a handful of these to illustrate.
"Sull'aria" from Mozart's "Le Nozze di Figaro." Heather Harper and Judith Blegen sing the parts here. This is a sweet duet from the opera. The singer's voices meld well together and this represents a poignantly sung piece.
Release Date September 18, 2007
I checked this cd many times at my local Library that I decided to buy it, it is great! I like that the lyrics are included. beautiful songs.
Love it.
Release Date October 25, 1990
When you compare Freni with the light roles that she used to sing in the 60s and this Freni, you will think they are two different singers. But what is truly amazed is the fact that not only her voice changed, but she became bar none to one the hardest heavy lyric soprano roles ever: Mimi. And when she has Pavarotti next to her, it is like heaven. But, wait... Who is conducting is Karajan, unarguably one of the best puccinian ever. This is a record to listen, re-listen, re-listen, re-listen until I don't know when...
Release Date February 12, 2002
I grew up on opera but not on Maria Callas. Joan Sutherland, Schwartzkoff, Victoria Los Angeles, and Mady Mesple (to name a few) crowded the airwaves of our home growing up. I had heard that Maria Callas was THE Diva of opera and bought one of her obscure recordings from a low budget bin while in Paris 10 years ago. It didn't impress me that much. Perhaps it was recorded during her voice decline. I could certainly tell she had a powerhouse voice but many of those arias were unknown to me and I didn't connect all that well with the CD.
After reading some of these reviews I decided to give her one more chance. Surely 50 million opera fans can't be all wrong! So I bought this disc and listened to it the other day. There are plenty of pieces ... Read More:
Release Date June 05, 2007
I have enjoyed listening to Karajan's 1963 set ever since I bought it on sale at the Record Hunter in New York in the late 1980's. I don't find the renditions unemotional as some do. The performances are fast and dramatic. To some the sixth is too fast, but the slower tempos we have become accustomed to are only received tradition just as phlegmatic renditions of Bruckner's symphonies were once the norm. The performances often have the drive more typical of early music versions of classic works, except the pieces are being played by a larger orchestra than would have been common before the twentieth century. They are powerful renditions but not heavy-handed or turgid.
As in his recordings for DG of the Brahms and Schumann symphonies, Karajan also ... Read More:
Release Date March 09, 1999
This disc is proof that EMI's venerable Great Recordings of the Century has become just another mid-priced re-issue line.
EMI went all out to celebrate the return of Karajan to the fold by engaging the three outstanding Russian soloists of their era for the Beethoven Triple. Unfortunately, it is one of those occasions when all the notes are in place but it means nothing. Oistrakh and Richter felt for Karajan's plush accompaniments out of place - Richter later going so far as to pronounce the recording "dreadful". Rostropovich was not, apparently, in sympathy with those feelings and sided with the conductor. The soloists, lacking conviction in one another, show no sense of musical teamwork whatever. Karajan turns in another slick, autopilot performance. ... Read More:
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