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Music : Folks, He Sure Do Pull Some Bow! Vintage Fiddle Music 1927-1935: Blues, Jazz, Stomps, Shuffles & Rags
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Folks, He Sure Do Pull Some Bow! Vintage Fiddle Music 1927-1935: Blues, Jazz, Stomps, Shuffles & Rags by: Big Bill Broonzy, Charlie Pierce, Andrew Baxter, Clifford Hayes, Bubbling-Over Five, Memphis Jug Band, Mississippi Sheiks, Peg Leg Howell, Frank Stokes, Big Joe Williams, Agusto Abreu |
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Binding: Audio CD EAN: 0670725100325 Label: Old Hat Records / Enterprises Manufacturer: Old Hat Records / Enterprises Number Of Discs: 1 Publisher: Old Hat Records / Enterprises Release Date: March 27, 2001 Studio: Old Hat Records / Enterprises Sales Rank: 113045 Disc 1:
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Editorial Review: Album Description: "Beautifully assembled, meticulously annotated, Folks is yet another striking contribution by Old Hat to the reassessment, if not the rewriting, of blues history. This is wonderfully unexpected music which refuses to conform to any of the accepted conventions of 12-bar blues. It should serve as a reminder of why the world continues to be drawn to this music, described by early observers as something unaccountably wild and strange. Folks restores some of that wildness, strangeness, and incalculable beauty." Peter Guralnick - author Careless Love, Searching For Robert Johnson, Last Train To Memphis "I love this CD. So much so that I am jealous and wish that I had done it!" Lawrence Cohn - producer American Odeon's Blind Willie McTell box set, Columbia/Legacy's Roots N’ Blues Series Amazon.com's Best of 2001: A fantastic collection of old-time music, "Folks, He Sure Do Pull Some Bow!" captures vintage fiddle music at that rare crossroads where the blues, jazz, and something that would one day be called folk were all in their infancy. For fiddle virtuosos performing between 1927 and 1935, quite simply, anything goes. Banjo Ikey Robinson's red hot "My Four Reasons" swings with humor and pizzazz, the State Street Boys' "Rustlin' Man" features the down-and-out blues vocals and fiddling of Big Bill Broonzy , and the Mississippi Sheiks' jazzy, but blues-inspired "Lazy Lazy River" musically straddles both sides of the Mason Dixon Line. For many listeners, the more esoteric tracks will stick out: Bo Chatman (a.k.a. double-entendre blues king Bo Carter) is heard fiddling behind Alec Johnson's goofy vocals on "Sister Maud Mule" (and in the spotlight on his own "Good Old Turnip Greens"); the Georgia Yellow Hammers' "G Rag" is the product of a then-rare integrated recording session; and Abrew's Portuguese Instrumental Trio performs "Cabo Verdranos Peca Nove" with incredible fiddling on what must be one of the first attempts at a crossover world-music disc. It's all here--great remastering, in-depth liner notes, and wonderful playing. Each release from Old Hat--Violin, Sing the Blues for Me and Music from the Lost Provinces--feels definitive, and this gem is certainly no different. --Jason Verlinde Customer Reviews
Average Rating:
 Rating:  - Hats off to Old Hat RecordsLike Old Hat's other compilations, this one is superb. The remastering is sufficiently clear and the liner notes are a joy to read. Know though that it highlights the use of the fiddle in African American music in the 1920's and 1930's. As the album cover states, the songs span the range from blues to jazz to jug band to even old time string band. Overall, it is a fascinating history lesson. Rating: - A delight for the ears and eyesOld Hat Records always goes the extra mile to present incredibly rare sides from vintage 78s. The sound quality is top-notch, and the generous booklet is packed with equally rare photography, highly-informative notes and thorough documentation. There are lots of reissues of early recordings, but all the offerings from Old Hat are head and shoulders above the rest. Sure, the pirates of the world can probably find this material in MP3 format, but despicable thievery aside, they're missing out on the complete package. The music combined with the ample booklet is the true prize. The true value is owning this release, holding it in your hand: listening, reading, viewing the rare photos. Whether you're a hard ... Read More: Rating: - old time magic.a wonderful disc of old time fiddle/violin recordings. pianos, guitars, banjos, and vocals also are present on a 24 set of songs that all old time music lovers should possess. Rating:  - People Music for Real PeopleInspired by my recent review of Sam Ku West's cd of Hawaiian steel guitar from 1927 and '28, and his version of Memphis Blues contained therein, I decided I need to review Violin, Sing the Blues for Me which contains a killer Memphis Blues by the Mobile Strugglers. Then of course I had to review this, its equally compelling companion disc. This stuff is history-come-alive. There's a fun tidbit for those folks who still think the blues began with Robert Johnson. Check Wild Cow Blues by Joe Williams' Washboard Singers, recorded in 1935... before RJ's earliest sides. RJ obviously listened to, liked, and studied this side. RJ's iconic vocal phrasings come straight from here, but RJ had the better voice, thus pulling them off more powerfully. ... Read More: Rating: - Phenomenal!Well, I completely disagree with the negative review below, and I have a feeling that the gentleman who wrote it, who claims to be a mediocre picker of several instruments, will remain mediocre for his entire life. Fiddle and violin are not the same thing. As the old joke goes, the difference between the two is that you shouldn't spill beer on a violin. To expect rural and traditional black fiddlers from the Depression to play fiddle like classically trained modern fiddlers like Mark O'Connor or Allison Krauss is like expecting your country Grandma to make Hazelnut-crusted filet of Chilean Seabass with a Pomegranate and Wasabi reduction for Sunday dinner, instead of pot roast and mashed potatoes. It's an absurd expectation. This is ... Read More: |
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