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Release Date October 30, 2007
This opera was new to me -- previously the only Prokofiev operas I knew were "War & Peace" and "The Betrothal in a Monastery" -- and I was delighted with it from start to finish. It takes Prokofiev's touches of Commedia dell'Arte and expands them to encompass the entire production, chorus, leads, staging and all. The enormous size of the Bastille stage allows the director, Gilbert Deflo, to place the opposing choruses on opposite sides of the pit and to keep them in view throughout the piece, so that the audience is drawn in through the chorus. The stage tricks are delightful and suited to the pace of the production, including abundant fireworks, some good tumbling and juggling, and two 'flying changes' for the Princess turned into a rat and back again. ... Read More:
Release Date August 15, 2000
This staging of "LfTO" is spare and modernistic, with minimal (but often inventive) sets and costumes, but the singing is first-rate and Nagano's conducting makes for an excellent handling of the music. The cast is young and vibrant (and even a bit sexy!) and the camera work helps keep you involved. A must if you are a Prokofiev fan; but it might be an eye-roller for someone looking for more traditional opera.
Release Date
This staging of "LfTO" is spare and modernistic, with minimal (but often inventive) sets and costumes, but the singing is first-rate and Nagano's conducting makes for an excellent handling of the music. The cast is young and vibrant (and even a bit sexy!) and the camera work helps keep you involved. A must if you are a Prokofiev fan; but it might be an eye-roller for someone looking for more traditional opera.
Release Date August 17, 2004
First of all please don't listen to traditionalists who cannot tolerate changes. Yes, this is a different take on Hoffman, but a very interesting one and also very beautiful. As other reviewers have pointed out, the action takes place in different parts of the theater where Stella is singing Don Giovanni. At least I, who have seen the opera live on several ocassions in the usual scenery, find it a welcome change.
Second, there is NO nudity, it's a plastic outfit representing a doll, so please do not over-exaggerate.
The singing and acting is great by all of the principals. Schicoff may be a bit too old, but he can still sing with great passion. He's definitely the best Hoffmann to come along in a long time.
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