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Music : Shine
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Rating: 
- Estelle's Second Album Shines.
Shine has the sweet, unfamiliar kick of blackcurrant Ribena (Estelle's favorite drink) mixed with Pernod. I first discovered London R&B singer/rapper, Estelle (Fanta Estelle Swaray ), through her mixtapes of "Da Heat," and her 2004 release of The 18th Day. Driven by the hip-hop heavy, West London neo-soul grooves of "Wait a Minute (Just a Touch)" and the number one with a bullet UK single, "American Boy," her second album, features guest appearances by cool blokes like Wyclef Jean, will.i.am, Kardinal Offishall, Mark Ronson, John Legend, Cee-Lo, and Kanye West. Album tracks include:
1. Wait A Minute [Just A Touch] 3:40
2. No Substitute Love) 3:33
3. American Boy [Feat. Kanye West] 4:44
4. More Than Friends 4:25
5. Magnificent [Featuring Kardinal Offishall] 3:56
6. Come Over 3:41
7. So Much Out The Way 4:04
8. In The Rain 4:08
9. Back In Love 4:01
10. You Are [featuring John Legend] 3:28
11. Pretty Please [Love Me] [Feat. Cee-Lo] 3:58
12. Shine 3:49
G. Merritt
Rating: - Amazing!
Wonderful mix of Neo-soul, Reggae, Hip Hop and Jazz! The type of cd I've been looking for a while, she reminds me of Lauryn Hill.
Rating:
- Very Nice Come Out!
Estelle gets her English groove on with this CD. It's nice and playful for the most part. I get a little lost though with some of the tracks that are mostly rap. That's not my thing. She sounds like a hip Corrin Bailey RAy. My favorite tracks are:
Back in Love again
You are w/ John Legend
Shine
American Boy w/ Kanye
Magnificent
No substitute
Rating:
- Shine
Well I must say that I am surprised by all of the somewhat raving reviews. It is not a bad CD; however, there were no particularly remarkable tracks. I do like American Boy, I think her vocal style coupled with Kanye's rap style was a good match. The Wyclef collaboration was nice and of course anything with John Legend is a complement from my point of view. On a couple of other tracks I could hear Floetry's vocal sound & style. I also didn't think the lyrics were unique but I must comment about the controversy reported by her record label regarding her teeth. Estelle, do what feels best for you, it will not impact your sales, if the track and vocals are tight because it is evident from the reviews that you have the support you need.
Rating: - Integrated Sounds
ShineI am a minor historian of roots music, and find Estelle's "Shine" album a delightful find. I was immediately enthralled by "Wait a Minute," the first cut on this album. There are subtle musical influences that perhaps even the artists, particularly Estelle and collaborator, John Legend, may not be aware of. Recordings of 1920's jazz and other popular music of that time freely used banjo and bass as primary rhythm keepers. Duke Ellington's "Black and Tan Fantasy," and "Creole Rhapsody" come to mind. Estelle is very artful in her very similar use of rhythm keepers, adding to her incorporation of West African, British, Jamaican and other Atlantic island sounds. She also uses vocal harmonies that are reminiscent of early female jazz vocalists, such as Ivie Anderson, an Ellington collaborator. Despite her close collaboration with contemporary American musicians, she does not loose her spirit of openess to the many musical styles she must have been exposed to in London during her formative years. As with many European and African musicians, she is does not seem to shun musical forms. Or perhaps this is a trend of her generation--hopefully, it is--a rediscovery of musical roots and their use within her own compositions. Or in the words of the great Duke Ellington, to create music "beyond category."
My only major complaint about her work, which may be more a complaint about her publicists, is that the album art contains no discography to speak of. So we are not very well informed about the roles of the musicians she recorded with. This may be OK for her pop audience, but for those who like to make music history connections, it is frustrating.
- Estelle's Second Album Shines.Shine has the sweet, unfamiliar kick of blackcurrant Ribena (Estelle's favorite drink) mixed with Pernod. I first discovered London R&B singer/rapper, Estelle (Fanta Estelle Swaray ), through her mixtapes of "Da Heat," and her 2004 release of The 18th Day. Driven by the hip-hop heavy, West London neo-soul grooves of "Wait a Minute (Just a Touch)" and the number one with a bullet UK single, "American Boy," her second album, features guest appearances by cool blokes like Wyclef Jean, will.i.am, Kardinal Offishall, Mark Ronson, John Legend, Cee-Lo, and Kanye West. Album tracks include:
1. Wait A Minute [Just A Touch] 3:40
2. No Substitute Love) 3:33
3. American Boy [Feat. Kanye West] 4:44
4. More Than Friends 4:25
5. Magnificent [Featuring Kardinal Offishall] 3:56
6. Come Over 3:41
7. So Much Out The Way 4:04
8. In The Rain 4:08
9. Back In Love 4:01
10. You Are [featuring John Legend] 3:28
11. Pretty Please [Love Me] [Feat. Cee-Lo] 3:58
12. Shine 3:49
G. Merritt
Rating:
- Amazing!Wonderful mix of Neo-soul, Reggae, Hip Hop and Jazz! The type of cd I've been looking for a while, she reminds me of Lauryn Hill.
Rating:
- Very Nice Come Out!Estelle gets her English groove on with this CD. It's nice and playful for the most part. I get a little lost though with some of the tracks that are mostly rap. That's not my thing. She sounds like a hip Corrin Bailey RAy. My favorite tracks are:
Back in Love again
You are w/ John Legend
Shine
American Boy w/ Kanye
Magnificent
No substitute
Rating:
- ShineWell I must say that I am surprised by all of the somewhat raving reviews. It is not a bad CD; however, there were no particularly remarkable tracks. I do like American Boy, I think her vocal style coupled with Kanye's rap style was a good match. The Wyclef collaboration was nice and of course anything with John Legend is a complement from my point of view. On a couple of other tracks I could hear Floetry's vocal sound & style. I also didn't think the lyrics were unique but I must comment about the controversy reported by her record label regarding her teeth. Estelle, do what feels best for you, it will not impact your sales, if the track and vocals are tight because it is evident from the reviews that you have the support you need.
Rating:
- Integrated SoundsShineI am a minor historian of roots music, and find Estelle's "Shine" album a delightful find. I was immediately enthralled by "Wait a Minute," the first cut on this album. There are subtle musical influences that perhaps even the artists, particularly Estelle and collaborator, John Legend, may not be aware of. Recordings of 1920's jazz and other popular music of that time freely used banjo and bass as primary rhythm keepers. Duke Ellington's "Black and Tan Fantasy," and "Creole Rhapsody" come to mind. Estelle is very artful in her very similar use of rhythm keepers, adding to her incorporation of West African, British, Jamaican and other Atlantic island sounds. She also uses vocal harmonies that are reminiscent of early female jazz vocalists, such as Ivie Anderson, an Ellington collaborator. Despite her close collaboration with contemporary American musicians, she does not loose her spirit of openess to the many musical styles she must have been exposed to in London during her formative years. As with many European and African musicians, she is does not seem to shun musical forms. Or perhaps this is a trend of her generation--hopefully, it is--a rediscovery of musical roots and their use within her own compositions. Or in the words of the great Duke Ellington, to create music "beyond category."
My only major complaint about her work, which may be more a complaint about her publicists, is that the album art contains no discography to speak of. So we are not very well informed about the roles of the musicians she recorded with. This may be OK for her pop audience, but for those who like to make music history connections, it is frustrating.