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Music : Painted from Memory
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Rating: 
- An Inspired Collaboration
With a reputation so rooted in the turtle-necked, nicotine-infused lounge lizardry of Hal David, Dionne Warwick and the zero consequence hedonism of Southern California affluence - the prospect of a Burt Bacharach tag-team with the much rougher and far more tumbled Elvis Costello would have seemed to be an Irwin Allen disaster in waiting - a wildly ironic vanity project with all the nervous energy and awkward body language of an arranged marriage.
Well, a strange thing happened on the way to that opposites don't attract scenario - Bacharach and Costello made a remarkable record that after a decade of repeated listening has only become more vibrant and powerful. The vastly different approach of both artists makes little difference - whether it is the caramelized melodies of Mr. Bacharach or the sly, vindictiveness of Costello's wordplay their view of relationships has always been essentially the same - love is a brutal enterprise and a harsh taskmaster.
Painted From Memory is sex music for couples with issues - serene and beautiful with innuendo and invective bubbling just beneath the surface. All of the compositions are masterful with "Toledo", "My Thief" and "What's Her Name Today?" particularly haunting. Painted From Memory is a permanent resident on my very short list of Desert Island Discs.
Rating:
- Wonderful
I was unaware of this collaboration however once I stumbed upon it I became intriqued. Burt Bacharach's formula for beautiful music makes him a timeless producer along with Mr. Costello's writing makes this CD more enjoyable with each listen.
Rating: - 1998 album - holds up well, to say the least
Questions from 1998:
Q: "Are her eyes still blue?"
Q: "Should she trust in you?"
Q: "Was she the one who took away your pride
-and your reason?"
(Partial) Answers from 2008:
A: 'Yes.'
A: 'No.'
A: 'In all honesty, Declan, yeah, ...still yes, buddy.'
Rating: - If you love both Costello and Bacharach, you obviously have to have this album. It contains beautiful songs and
is so unique, the pairing of these two geniuses. Like most people, I had feverishly high expectations for this album. Two of my favorite song-writers, one of my very favorite voices. I did like parts of the album, the songs are great, but overall I was disappointed only because I found the vocal treatment a bit too heavy and it tended to go a bit too loud, possibly an engineering problem on the album. I didn't completely understand the musical choice made to do the vocals in this style, I much prefer Elvis's usual smoky, smooth, light pop-jazz sound, because no one else can do that like he does. So, that's just me. The album is obviously unique and very much worth having. I don't think it's either artist's best, but that's a tremendously hard standard to measure up to, and besides, it's unique for what it is. Thanks to Elvis and Burt for doing this album. I have to say when I heard Elvis perform some of these songs live he was totally mesmerizing and fantastic, the whole audience was riveted.
Rating: - 5 Star Album You Don't See Coming
On first exposure the songs seem like a heavy meal with their dense orchestrations, Burt Bacharach's signature stop and go rhythms and Elvis Costello's opaque, barroom syntax. The overall effect could be extremely pretentious. Over time, however, after repeating listening, the rush of the songs' emotional climaxes have great depth and an eerie simplicity about them.
Burt Bacharach appeared to be attempting something truly original and different from his smash hits of the past. I, for one, believe that he succeeded.
- An Inspired CollaborationWith a reputation so rooted in the turtle-necked, nicotine-infused lounge lizardry of Hal David, Dionne Warwick and the zero consequence hedonism of Southern California affluence - the prospect of a Burt Bacharach tag-team with the much rougher and far more tumbled Elvis Costello would have seemed to be an Irwin Allen disaster in waiting - a wildly ironic vanity project with all the nervous energy and awkward body language of an arranged marriage.
Well, a strange thing happened on the way to that opposites don't attract scenario - Bacharach and Costello made a remarkable record that after a decade of repeated listening has only become more vibrant and powerful. The vastly different approach of both artists makes little difference - whether it is the caramelized melodies of Mr. Bacharach or the sly, vindictiveness of Costello's wordplay their view of relationships has always been essentially the same - love is a brutal enterprise and a harsh taskmaster.
Painted From Memory is sex music for couples with issues - serene and beautiful with innuendo and invective bubbling just beneath the surface. All of the compositions are masterful with "Toledo", "My Thief" and "What's Her Name Today?" particularly haunting. Painted From Memory is a permanent resident on my very short list of Desert Island Discs.
Rating:
- WonderfulI was unaware of this collaboration however once I stumbed upon it I became intriqued. Burt Bacharach's formula for beautiful music makes him a timeless producer along with Mr. Costello's writing makes this CD more enjoyable with each listen.
Rating:
- 1998 album - holds up well, to say the leastQuestions from 1998:
Q: "Are her eyes still blue?"
Q: "Should she trust in you?"
Q: "Was she the one who took away your pride
-and your reason?"
(Partial) Answers from 2008:
A: 'Yes.'
A: 'No.'
A: 'In all honesty, Declan, yeah, ...still yes, buddy.'
Rating:
- If you love both Costello and Bacharach, you obviously have to have this album. It contains beautiful songs and is so unique, the pairing of these two geniuses. Like most people, I had feverishly high expectations for this album. Two of my favorite song-writers, one of my very favorite voices. I did like parts of the album, the songs are great, but overall I was disappointed only because I found the vocal treatment a bit too heavy and it tended to go a bit too loud, possibly an engineering problem on the album. I didn't completely understand the musical choice made to do the vocals in this style, I much prefer Elvis's usual smoky, smooth, light pop-jazz sound, because no one else can do that like he does. So, that's just me. The album is obviously unique and very much worth having. I don't think it's either artist's best, but that's a tremendously hard standard to measure up to, and besides, it's unique for what it is. Thanks to Elvis and Burt for doing this album. I have to say when I heard Elvis perform some of these songs live he was totally mesmerizing and fantastic, the whole audience was riveted.
Rating:
- 5 Star Album You Don't See ComingOn first exposure the songs seem like a heavy meal with their dense orchestrations, Burt Bacharach's signature stop and go rhythms and Elvis Costello's opaque, barroom syntax. The overall effect could be extremely pretentious. Over time, however, after repeating listening, the rush of the songs' emotional climaxes have great depth and an eerie simplicity about them.
Burt Bacharach appeared to be attempting something truly original and different from his smash hits of the past. I, for one, believe that he succeeded.