Availability: Usually ships in 24 hours
Binding: Audio CD
EAN: 0886973488027
Format: Live
Label: Epic
Manufacturer: Epic
Number Of Discs: 1
Publisher: Epic
Release Date: October 07, 2008
Studio: Epic
Sales Rank: 600
MPN: 734880
Disc 1:- London Calling
- Police On My Back
- The Guns of Brixton
- Tommy Gun
- Magnificent 7
- Armagideon Time
- Magnificent 7 (Return)
- Rock The Casbah
- Train In Vain
- Career Opportunities
- Spanish Bombs
- Clampdown
- English Civil War
- Should I Stay Or Should I Go
- I Fought The Law
Related Items:
Related Items:
see more
Browse for similar items by category:
Editorial Review:
Album Description: Recorded at New York's Shea Stadium in 1982, Live at Shea Stadium captures the band at the peak of its powers and on devastating form. Bristling with energy and attitude, Live at Shea Stadium is destined to feature alongside James Brown at the Apollo, The Who at Leeds and Johnny Cash at Folsom Prison as one of the greatest live recordings of all time!
The Clash, opening for The Who on their farewell tour of the US, played two nights at the legendary Shea Stadium (October 12th and 13th of 1982). Despite being the support act, the New York Post reported "there were as many Clash fans on those nights as Who fans."
Average Rating: 
Rating: -
Don't get me wrong, any Clash soundboard release is reason to celebrate and I have enjoyed listening to this Shea Stadium gig but when you are talking about THE ONLY BAND THAT MATTERS, expectations tend to run high.
I guess I am a little spoiled but on the excellent From Here To Eternity, the smattering of live tracks on the box set and a handful of high quality bootlegs, I am used to hearing the Clash GO FOR IT. I am not used to hearing Joe Strummer sing London Calling "competently" I am used to hearing him rip it out of his guts...
At the time of this recording, The Clash was riding an international hit record, opening for The Who and undergoing the transformation from an outstanding theater band to professional ... Read More:
Rating: -
This album is a lot of fun. Sure, there are some great songs not included in the set list, but keep in mind, The Clash was an opening act this night.
In the car, my three-year-old daughter insists on listening to "Police On My Back" over and over again. She loves singing the days of the week at the top of her lungs. I'll take Mick Jones over Raffi any day!
Enjoy.
Rating: -
Sorry to disagree with those who panned this, but this is my new favorite album. Second only to the serious Beatles scholar sourpuss mentality is the strict punk purist mentality, and it's out in full force in some of the other reviews here and elsewhere on the web. Yes, this is indeed very late-period Clash, and there's a lot of other stuff that, given my druthers, I'd rather hear in the set list. However, it is what it is -- they were the opening act for the Who with only an hour of stage time allotted, plus they were touring in support of (IMHO, not their best album) Combat Rock. Moreover, I have to disagree with others who feel there is a lack of energy, enthusiasm, or power. The band does get off to an uneven start, but by the middle ... Read More:
Rating: -
Well, I'm not sure what to make of this one. It's a mess. Best tune, "Police on my Back," worst aspect,as usual during that period, Terry Chimes on rubber drum sticks. Looking at the guy puts you to sleep. Let me start by saying that the set list is so obviously tilted toward any songs that remotely have a military bent in support of their 1982 looks, GI Joe, except for Strummer's Daniel Boone hat(??). Sort of like when KISS changes their costumes every few years. Disjointed, no energy, and what's with Strummer's bizarre rantings, almost hostile toward the crowd. Anyway, if you want live Clash at its best, go for the bootlegs "This is Radio Clash," Bonds, 1981, I was there, unreal. The Palladium 9/21/79 (the ill fated cover of "London Calling," ... Read More:
Rating: -
My rating: 3.5 stars.
First things first: if you don't have From Here to Eternity yet, stop reading now. From Here to Eternity is the place to start. It contains performances which span the Clash's career through Combat Rock, including ferocious versions of "Complete Control" and "What's My Name." It's an essential album for every Clash fan.
On the other hand, Live at Shea Stadium is a pretty good, but not great, live album. Recorded in 1982 on a tour where the Clash was opening for the Who, it documents a band in transition. Terry Chimes had replaced Topper Headon. Mick Jones was on the verge of leaving the band. Amidst all this turmoil, the Clash was playing big stadium shows for the first time on the heels of the Top 40 success ... Read More:
|