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History, Mystery
by: Bill Frisell
List Price: $20.98CD-Charts Price: $15.97 You Save: $5.01 (24%)Prices subject to change.
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Availability: Usually ships in 24 hours
Binding: Audio CD
EAN: 0075597994377
Label: Nonesuch
Manufacturer: Nonesuch
Number Of Discs: 2
Publisher: Nonesuch
Release Date: May 13, 2008
Studio: Nonesuch
Sales Rank: 2021
MPN: 435964
Disc 1:- Imagination
- Probability Cloud
- Probability Cloud Part 2
- Out of Body
- Struggle
- A Momentary Suspension of Doubt
- Onward
- Baba Drame
- What We Need
- A Change Is Gonna Come
- Jackie-Ing
- Show Me
- Boo and Scout
- Struggle Part 2
- Heal
- Another Momentary Suspension of Doubt
- Probability Cloud
Disc 2:- Monroe
- Lazy Robinson
- Question #1
- Answer #1
- Faces
- Sub-Conscious Lee
- Monroe Part 2
- Question #2
- Lazy Robinson Part 2
- What We Need Part 2
- Waltz For Baltimore
- Answer #2
- Monroe Part 3
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Editorial Review:
Album Description: Two CD set. Bill Frisell's History, Mystery is a series of short pieces, alternately elegant and playful, written by Frisell for an octet comprised of the guitarist himself and a group of longtime collaborators-friends. One evocative snippet melds into another to form a virtually seamless work that unfolds over the course of this double-disc package. It has an engrossingly theatrical quality, as if it were the score to some unseen play. Some of these tracks were originally written for Mysterio Sympatico, a 70-minute multi-media dialogue between Frisell and fellow Seattle based artist/comic book author Jim Woodring that premiered in 2002 at St. Ann's Warehouse in Brooklyn, featuring Frisell's compositions and Woodring's surreal projections, and that has subsequently been reprised around the country.
Average Rating: 
Rating: -
Overview:
In History, Mystery Bill Frisell combines elements of the many different styles and genres he has dabbled with over the years into one cohesive story telling album. You can hear elements of Appalachia (ala The Willies), string orchestrations (ala Unspeakable), ambient soundscapes (ala Floratone), great horn lines (Blues Dream), African jazz (ala the Intercontinentals) and quirky odd Friselldoms (ala The Rambler). Basically Bill has gone into his bag of tricks and combined the many magical things he can do into one dreamy CD. At first listen it's a bit much to take in and for fans who are not wild about violins, the string orchestrations might seem a bit too far from jazz. However, after several listens the clever crafting ... Read More:
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I have been listening to Bill for years now and he has always had an impact on my artistic vision. Being a musician myself, I have enjoyed a rich appreciation for Frisell's music, both inspiring and listenable. It isn't very often that an artist is able to revamp a style, yet here he has done it once again. Combining orchestral instruments in a jazz context is nearly impossible without sounding forced. As you know if you enjoy Bill's music, he rarely if ever forces anything and this record is perfect! Every time I hear a new recording I think it's my favorite, but "History" is special in that the song order creates a unique flow lost in the digital world. Remember, "Gone, Just Like a Train", it's that good... Enjoy!
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Bill Frisell leads an octet over the 30 mostly short songs that make up "History, Mystery". He has a very good group -- Ron Miles on trumpet, Greg Hardy on sax, Jenny Schienman, Eyvind Kang & Hank Roberts on strings, Tony Scherr on bass, and Kenny Wollesen drumming. The songs generally have a creative dreaminess about them. The closest touchstone to this CD is Frisell's "Have A Little Faith". One thing contributing to dreaminess is that many of the songs show up more than once, so there's 40 seconds of "Answer #1" then later 110 seconds of "Answer #2". For all of the interesting miniatures, the longer songs with longer solos stand out -- "Baba Drame", "A Change Is Gonna Come", "Struggle", and "Waltz For Baltimore". Greg Hardy's solo ... Read More:
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The pieces of music on this album were done by a professional bunch of folk who for some time have been going on in a certain direction. It's the first Frisell album I ever bought, so I can't say much about the guy's past. Anyawy, most pieces on this album are sad. Some of them are repetitive and boring. Few have interesting compositions. All in all it's a pleasant affair. It's the kind of music some people would want to listen to sitting in an old rocking chair and looking at the post-sunsent with a glass of fine Cognac on the side, thinking about nothing in particular.
Rating: -
this is only the second recording released by frisell that i've heard that I like. musicians, most of them guitar players, sing praises to frisell's mastery as a jazz guitarist. i'm not a musician, just someone listening to music I like, mostly jazz, and i am attentive to the suggestions of my betters, the musicians. so i've been listening to frisell, hoping that some day the light bulb will go on and i'll understand what makes him a great jazz guitarist on his trio recordings, where his sound, to my untrained ears, drones on and on, and when it isn't droning it disturbs me with a hokeyness unexpected to jazz.
well, history, mystery isn't a trio outing, it's an octet of a string trio (the other recording by frisell I like is richter ... Read More:
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