Availability: In stock soon. Order now to get in line. First come, first served.
Binding: Audio CD
EAN: 0652637271034
Format: Hybrid SACD, Original recording remastered
Label: 4ad Records
Manufacturer: 4ad Records
Number Of Discs: 1
Publisher: 4ad Records
Release Date: July 22, 2008
Studio: 4ad Records
Sales Rank: 3309
Disc 1:- The Arrival And The Reunion
- Saltarello
- Mephisto
- The Song Of Sibyl
- Fortune Presents Gifts Not According To The Book
- As The Bell Rings The Maypole Spins
- The End Of Words
- Black Sun
- Wilderness
- The Promised Womb
- The Garden Of Zephirus
- Radharc
Related Items:
Related Items:
see more
Browse for similar items by category:
Editorial Review:
Product Description: This 1990 release contains twelve songs recorded in Brendan Perry and Lisa Gerrard's own studio in southern Ireland.
Amazon.com: Long before No Doubt brought back ska and Big Bad Voodoo Daddy resurrected swing, Lisa Gerrard and Brendan Perry were making music that recalled an earlier time. How early? Try the Renaissance. Everything old--really old--is new again on Aion, the band's fifth and arguably finest album. Like DCD's other discs, Aion revolves around the interplay between Gerrard's soaring glossolalia and Perry's baritone crooning. A range of styles are explored, from the polyphonic choral heights of "The Arrival and the Reunion" to the smooth balladry of "Fortune Presents Gifts Not According to the Book" to the Middle Eastern sensuality of "Radharc." Other standout tracks include the playful "Saltarello," a traditional 14th-century instrumental dance piece, and "As the Bell Rings the Maypole Spins," a strikingly melodic song carried by bagpipes and Gerrard's angelic voice. --Steve Landau
Average Rating: 
Rating: -
On Spleen and Ideal and the magnificent Within the Realm of a Dying Sun, Lisa Gerrard and Brendan Perry created music that, though it clearly had echoes in many masterpieces from the 1970s, was completely unlike anything before it and especially unlike most of what was coming out of the underground in the 1980s. Whereas many people seemed to think that the way to make music dark is to make is loud, fast, and angry in a way that is violent and macho whether it intends to be or not, Dead Can Dance showed that the way to make music really dark was to create atmospheres with genuine depths. On the two abums mentioned above they did this by means of beats that were slow but made more intense by the fact, combined with horns and beats like Parliament ... Read More:
Rating: -
3 1/2
Another quality release as the band coasted through their medieval stride produced an excellent starting point for the curious, offering the many different undervalued styles this singer and guitarist sought out to a polished tee. In this impressive sampler overview of the dark renaissance revivalists, parts seem to outweigh the whole. Individual tracks never feel shoddy or tacked on, but as a whole, Dead Can Dance provide a few too many profound filler tracks that do little to propel the album. As usual, the mark of talent and originality highlight nearly everything, even if that distinct mark was starting to become a little transparent and predictable.
Rating: -
"Fortune Presents Gifts NOt AccorDing To The Book"..Ahh! This is the stuff Maynard..(Farina Chow Commercial of the 1950's..)That song taught me to hold on.."SOmetimes when you seek wisdom it's fruits,sometimes when you seek fruits it's wisdom.." or something like that: Beautiful melodies..Reminds me of when I was in Japan and Daniel Barenboim of the Chicago Symphony Orchestra ignored me..Delightful music that's there for you when no persOn or thing is.."The Song of thE Sibyl" is a beautiful song: The live veRsion off "Toward The Within" (their best cd with "Within The Realm of a Dying Sun" perhaps..)is going to be played at my funeral.Simply cannot state how wonderful this is..Lisa Gerrard's "Mirror Pool"'s the next thing you can buy that's like ... Read More:
Rating: -
The cover of Aion (a detail from Bosch's Garden of Earthly Delights) provides a strong clue to the stylistic theme of this disc, Dead Can Dance's fifth album. With the exception of one track, the songs on this album are modern interpretations (often quite faithful) of medieval vocal and instrumental music. And therein lies the rub - if you dislike medieval or period music, you are likely to find the album slow and dull, whereas if you do like it, this may quickly become one of your favorite discs.
My own tastes fall somewhere in between the two extremes, with the result that I find my favorite tracks on the album are those where Dead Can Dance's Brendan Perry and Lisa Gerrard provide some interesting modern spin on the period sound. ... Read More:
Rating: -
If you know DCD, you know how wonderfully literate and just spectacular their lyrics can be. This album is no different. It has "Black Sun" which I was blessed enough to see live in 06, and "Radharc", both stand the test of time. This is not a good "My first DCD" cd only because the music is very genre specific, and if you have never heard their stuff before you may get lost in the tangles of myth and legend. I'm sure some will disagree, but I don't find this album to be a good `get to know me' album - I suggest starting with DCD, "Into the Labyrinth" a sort of Best Of, without the corny-ness of being a Greatest Hits. It gives a wide breadth of styles and lets you hear all of the creamy goodness the band has offered up in the years gone by. Id say ... Read More:
|