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Music : Philip Glass - Monsters of Grace

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Philip Glass - Monsters of Grace
from: Orange Mountain Music

CD-Charts Price: $17.99
Prices subject to change.



Availability: Usually ships in 24 hours Binding: Audio CD
EAN: 0801837004120
Format: Import
Label: Orange Mountain Music
Manufacturer: Orange Mountain Music
Number Of Discs: 1
Publisher: Orange Mountain Music
Release Date: October 09, 2007
Studio: Orange Mountain Music
Sales Rank: 38525
MPN: 41




Disc 1:
  1. Where Everything is Music
  2. The Needle
  3. Don't Go Back to Sleep
  4. In the Arc of Your Mallet
  5. My Worst Habit
  6. Like This
  7. Stereo Gram
  8. Let the Letter Read You
  9. Boy Beach and Ball
  10. They Say Paradise Will Be Perfect
  11. The New Rule
  12. An Artist Comes to Paint You
  13. Boy on Fire
Related Items:
Related Items:
Glass: Book of Longing Philip Glass - Songs & Poems for Solo Cello - Wendy Sutter From the Philip Glass Recording Archive, Vol. II: Orchestral Music Philip Glass: Animals in Love (les Animaux Amoureux) Cassandra's Dream see more
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Customer Reviews
Average Rating:  out of 5 stars

Rating: 5 out of 5 stars - One of my favorites
I bought this CD on a whim when I bought David Byrne's Knee Plays. However, who could resist a Glass of Rumi? I would love to see the Robert Wilson it goes with, but I dearly love the music and the words.

"Don't go back to sleep..."




Rating: 5 out of 5 stars - Beautiful
The first track, "Where Everything is Music", is worth the price of the album, even if the rest of the songs isn't fully up to the same standard, I think overall the album is one of Philip Glass' best song collections. As five-star as five stars get in my book. I used to only like Philip Glass' instrumental music, but albums like this one are changing my opinion. The combination of the music and the voices is stunning. Stereo Gram is another great track.



Rating: 4 out of 5 stars - Glass amongst the monsters!
As a long-time fan and admirer of Philip Glass this work has great moments and ordinary moments. The music, for the most part, stands on its own. It is tough to judge as it is part of a multi-media work featuring animated motion pictures to accompany the voices and instruments. The vocal performers also move as part of the presentation so it is much like listening to a soundtrack, you only get part of the picture. Still, the blending of voices and instruments in Philip Glass's wonderful, flowing compositions shine. I was priveleged to see the work performed at the Folly Theater in Kansas City in 1999 and enjoyed it immensely. Glass's music and Robert Wilson's animation and Rumi's sensuality were interwoven perfectly and I was surprised to ... Read More:



Rating: 5 out of 5 stars - "Don't go back to sleep...." One of Glass' best works
I am stunned and delighted. After ten years of waiting I googled for this work and finally find it on Amazon. YES! I was also fortunate to attend one of the UCLA performances and what I've never forgotten was this music. The high-concept for the production was to allow startling 3D images and sublime music to clash in the minds of the audience and let them (us) make our own meaning out of it all. Wilson's ideas were great, but the 3D rendering technology wasn't up to his ambition, many of the moving 3D images couldn't escape a certain cartoon feel, but Glass' hypnotic music never sounded better. He found the perfect lyricst in Coleman Bark's rendering of Rumi's spiritual poems. The middle eastern insturments weaving in and out of synth/piano ... Read More:



Rating: 5 out of 5 stars - Classical Glass! ... But Where's Wilson?
I, too, was at the opening night performance at Royce Hall in April 1998. This was billed as Version 1.0 and a work in progress, I guess because the animation was not complete. I also saw the completed version 4.0 some four years later in the same place. As much as I loved the 3D imagery of the animated film, I was more entranced by the Wilson staging which was dropped in later versions. I had only heard of what a Robert Wilson theatre event was like. I'd never seen anything like it before. Weird and beautiful, I was stunned by the combination of exotic and visually dramatic scenes performed in mostly slow motion.

This soundtrack is a long time coming and I am intensely grateful to finally have this beautiful, lilting music as part ... Read More:

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