Availability: Usually ships in 24 hours
Binding: Audio CD
EAN: 0011661907522
Label: Rounder
Manufacturer: Rounder
Number Of Discs: 1
Publisher: Rounder
Release Date: October 23, 2007
Studio: Rounder
Sales Rank: 8
MPN: 619075
Disc 1:- Rich Woman
- Killing the Blues
- Sister Rosetta Goes Before Us
- Polly Come Home
- Gone Gone Gone (Done Moved On)
- Through the Morning, Through the Night
- Please Read the Letter
- Trampled Rose
- Fortune Teller
- Stick with Me Baby
- Nothin'
- Let Your Loss Be Your Lesson
- Your Long Journey
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Editorial Review:
Amazon.com: Perhaps only the fantasy duo of King Kong and Bambi could be a more bizarre pairing than Robert Plant and Alison Krauss. Yet on Raising Sand, their haunting and brilliant collaboration, the Led Zeppelin screamer and Nashville's most hypnotic song whisperer seem made for each other. This, however, is not the howling Plant of "Whole Lotta Love," but a far more precise and softer singer than even the one who emerged with Dreamland (2002). No matter that Plant seems so subdued as to be on downers, for that's one of the keys to this most improbable meeting of musical galaxies--almost all of it seems slowed down, out of time, otherworldly, and at times downright David Lynch-ian, the product of an altered consciousness. Yet probably the main reason it all works so well is the choice of producer T Bone Burnette, the third star of the album, who culled mostly lesser-known material from some of the great writers of blues, country, folk, gospel, and R&B, including Tom Waits, Townes Van Zandt, Milt Campbell, the Everly Brothers, Sam Phillips, and A.D. and Rosa Lee Watson. At times, Burnette's spare and deliberate soundscape--incisively crafted by guitarists Marc Ribot and Norman Blake, bassist Dennis Crouch, drummer Jay Bellerose, and multi-instrumentalist Mike Seeger, among others--is nearly as dreamy and subterranean as Daniel Lanois's work with Emmylou Harris (Wrecking Ball). Occasionally, Burnette opts for a fairly straightforward production while still reworking the original song (Plant's own "Please Read the Letter," Mel Tillis's "Stick with Me, Baby"). But much of the new flesh on these old bones is oddly unsettling, if not nightmarish. On the opening track of "Rich Woman," the soft-as-clouds vocals strike an optimistic mood, while the instrumental backing--loose snare, ominous bass line, and insinuating electric guitar lines--create a spooky, sinister undertow. Plant and Krauss trade out the solo and harmony vocals, and while they both venture into new waters here (Krauss as a mainstream blues mama, Plant as a gospel singer and honkytonker), she steals the show in Sam Phillips' new "Sister Rosetta Goes Before Us," where a dramatic violin and tremulous banjo strike a foreboding gypsy tone. When Krauss begins this strange, seductive song in a voice so ethereal that angels will take note, you may stop breathing. That, among other reasons, makes Raising Sand an album to die for. --Alanna Nash
Album Description: The musical collaboration of the decade, Raising Sand is the sound of two iconic figures stepping out of their respective comfort zones and letting their instincts lead them across a brave new sonic landscape. Despite hailing from distinctly different backgrounds, Alison Krauss and Robert Plant share a maverick spirit and willingness to extend the boundaries of their respective genres. This spirit, expertly honed by producer T Bone Burnett, has resulted in an album pitched three steps beyond some cosmic collision of early urban blues, spacious West Texas country, and the untapped potential of the folk-rock revolution.
Supported by the unparalleled musicianship of Marc Ribot, Dennis Crouch, Mike Seeger, Jay Bellerose, Norman Blake, Greg Leisz, Patrick Warren, and Riley Baugus, Plant and Krauss -- as both solo and harmony vocalists -- tackle an intriguing selection of songs from such tunesmiths as Tom Waits, Gene Clark, Sam Phillips, Townes Van Zandt, The Everly Broth! ers, and Mel Tillis. Raising Sand finds Robert Plant and Alison Krauss exploring popular music's elemental roots while still sounding effortlessly, breath-takingly contemporary.
The song "Killing the Blues" is featured in the new JC Penney American Living Campaign.
Album Description: 2007 collaboration between the former Led Zep vocalist and the Bluegrass/Folk favorite. Raising Sand features a stellar cast of supporting musicians, including guitarists T Bone Burnett, Marc Ribot, and Norman Blake, multi-instrumentalist Mike Seeger, drummer Jay Bellerose, and bassist Dennis Crouch. The songs range from modern to classic, consisting mostly of lesser-known material from a wide spectrum of great Blues, R&B, Country, and Folk songwriters: Tom Waits, Gene Clark, Little Milton Campbell, Mel Tillis, Townes Van Zandt, Doc Watson, Phil and Don Everly among them. They also recorded the Robert Plant/Jimmy Page song 'Please Read the Letter' from the 1998 album Walking Into Clarksdale. Rounder.
Average Rating: 
Rating: -
I admit the idea seemed kind of silly: matching a rock God with a folk Goddess -- each amazing in their own way but, together? I just wasn't sure.
But good God almighty, there's some serious magic at work here.
Haunting, melancholy, harmonious -- hard to describe but there's something divine in the notes. The pairing is odd but works in a way that's really quite amazing. And seeing them live -- whoa!
If you like deep, moody music (or either of these two musical giants on their own) you must give this album a try. Granted, it's not Zep and it's not Union Station bluegrass -- but that's the point. Together they create something different, a mood... a feeling... an emotion. It's grand. Hurray for the odd pairings! First Emmylou ... Read More:
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why is there no color at all anywhere on the case or liner notes? It's like viewing the world on a black and white tv set -everything is in various shades of gray. Pretty odd in this day and age to say the least.
Rating: -
For nearly 40 year I have been a total fan of Robert Plant, particularly from his Led Zeppelin years. So I was already primed to explore the melding of two amazing voices on this groundbreaking CD. With her creamy, angelic voice, Alison has blended perfectly with Robert's powerful rock god delivery in the most brilliant collaboration I have heard. Ever.
I saw them in concert this past Saturday at Lake Tahoe, and along with over 5,000 other roaringly appreciative fans, was stunned and thrilled with the incredible mastery of these artists and their band. The percussionist Jay Bellerose was a non stop locomotive driving the concert. His energy was jaw dropping. Prowling and owning the stage like the king lion that he is, Robert sang ... Read More:
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The first couple of days after purchasing this I was ready to put it into the "snoozer" category myself. I figured I might dust it off a couple of times a year and give it a spin and that would basically be it. I've collected a lot of albums over the years that I got tired of or that never grew on me, and this would be the latest to grace the top of that stack. At least I gave it a try right? I tried to broaden my musical horizons and came up empty on this one. Maybe someday I'd grow to appreciate it, or perhaps it might be collectable in the future. On to the next album please!
Man am I glad I gave this one a little more time, because it's actually an extremely rewarding album! I'd been listening on the train to and from work and ... Read More:
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I remember when Led Zeppelin III came out; I was more excited than if it had been my birthday. And when a friend turned me on to Allison Krauss, I felt like I was listening to the voice of an angel and found a new interest in bluegrass. The collaboration of Mark Knopler and Emmy Lou Harris was so good that when I heard of the release of "Raising Sand", I bought it without knowing anything about it other than who the stars were. What a disappointment! Even the songs that try to rock on this album lack spirit. And the quieter ballads just plod along. "Killing the Blues" as done by John Prine hits the right bluesy note; Plant and Krauss just kill this song. One other reviewer said this album is a snore and I completely agree. I feel that the musical production ... Read More:
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