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Music : Catch Me If You Can
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Catch Me If You Can by: John Williams List Price: $9.98 Price: $7.50 You Save: $2.48 (25%)Prices subject to change. |
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Availability: Usually ships in 1-2 business days
Binding: Audio CD EAN: 0600445041028 Format: Soundtrack Label: Dreamworks Manufacturer: Dreamworks Number Of Discs: 1 Publisher: Dreamworks Release Date: December 10, 2002 Studio: Dreamworks Sales Rank: 7501 Disc 1:
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Editorial Review: Amazon.com: Steven Spielberg veered from the futuristic sci-fi flirtations of A.I. and Minority Report with this brisk, stylish period take on the career of teen con-man extraordinaire Frank Abagnale (Leonardo DiCaprio) and his dogged G-man pursuer/de facto extended family member Carl Hanratty (Tom Hanks). As always, the director's musical collaborator is John Williams, and the scoring legend uses the occasion of their 20th collaboration as a rewarding musical journey back to the days when he was known as Johnny Williams, ambitious young pianist for Henry Mancini on such early jazz scores as Peter Gunn. Informed by a half-century of subsequent achievement, Williams's return to the jazz idiom of his youth yields a smart, nervous score that evokes more than mere nostalgia. But with Dan Higgins's moody sax often leading the way, the veteran composer's work here seems more evocative reinvention than revisitation, yet another tribute to his uncanny ability to make any idiom his own. A handful of pop standards (including Sinatra's "Come Fly with Me," Getz and Gilberto's "Girl from Ipanema," "The Christmas Song" by Nat "King" Cole) deftly color both period and plot, but, as always, it's Williams who provides Spielberg's masterful imagery with its musical life's blood. --Jerry McCulley Customer Reviews
Average Rating:
 Rating:  - Minimal Jazz ContentThe way people have been talking about this score, from the reviews to the liner notes, you'd think it was a stylistic counterpart to "Checkmate." In truth, there is minimal jazz or even pseudo-jazz content in this score. It is mostly orchestral with occasional jazzy touches, such as vibes or sax, but it's hardly a return to his days as Johnny Williams (as some have suggested). And the handful of tunes by the likes of Sinatra, Dusty, and Getz/Gilberto are readily available elsewhere in more appropriate settings. On its own terms, the score is certainly pleasant, but it's hardly a "jazz score" as defined by the likes of Mancini, Lalo Schifrin, Johnny Mandel, Kenyon Hopkins, and others. Rating:  - Outstanding!John Williams does it again! This man is the best composer I have ever heard! The music fits the scenes in the movies so unblievably well that you will wonder how one man was creative enough to think of it! Rating:  - Johnny's "Lost in Soundtrack"The opening theme is the coolest ever. It has that jazzy, suspenseful, space-age groove that takes you back to the early 60's era portrayed in the movie. Once I discovered it was done by John Williams, things started to click. The arrangement and themes actually go back way before he was famous. Back to an era he may not want you to remember. Back when he was known simply as "Johnny" Williams. First, notice the melody and pace of the creeping marimbas and bubbling flutes. Next, catch a repeat of the old Sci-Fi, TV Fairy-Tale known as "LOST IN SPACE." Listen for the incidental, suspense-scene music throughout. Did you catch the composer's name in the credits? Bingo!(and still very cool)! Rating: - Excellent Mix of Jazz and EmotionThis is brilliant. You will have this theme ringing in your ears for a month after listening. I have collected around 25 to 30 J. Williams scores. This is wonderful like the rest... Rating: - John Williams, Film Scores and Jazz all done to Perfection.I loved the movie and now the music. I think it is one of the most original soundtracks that John Williams has ever done. The Jazz in this music is so peaceful and lighthearted. This soundtrack should be on any music lovers shelf. In my book, this music is a classic film score. |
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