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Beethoven: String Quartets
by: Takacs Quartet, Beethoven
List Price: $33.98CD-Charts Price: $30.49 You Save: $3.49 (10%)Prices subject to change.
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Availability: Usually ships in 24 hours
Binding: Audio CD
EAN: 0028947084723
Label: Philips
Manufacturer: Philips
Number Of Discs: 2
Publisher: Philips
Release Date: May 14, 2002
Studio: Philips
Sales Rank: 18909
MPN: 470847
Disc 1:- Quartet in F major, op. 59: Allegro
- Quartet in F major, op. 59: Allegretto vivace e sempre scherzando
- Quartet in F major, op. 59: Adagio molto e mesto
- Quartet in F major, op. 59: theme russe: Allegro
- Quartet in E flat major, op. 74: Poco adagio-Allegro
- Quartet in E flat major, op. 74: Adagio ma non troppo
- Quartet in E flat major, op. 74: Presto-Piu presto quasi prestissimo
- Quartet in E flat major, op. 74: Allegretto con variozioni
Disc 2:- Quartet in E minor, op. 59: Allegro
- Quartet in E minor, op. 59: Molto adagio
- Quartet in E minor, op. 59: Allegretto-Maggiore (Theme russe)
- Quartet in E minor, op. 59: Finale: Presto
- Quartet in C major, op. 59: Introduzione: Andante con moto-Allegro vivace
- Quartet in C major, op. 59: Andanto con moro. Quasi allegretto
- Quartet in C major, op. 59: Menuetto (grazioso)
- Quartet in C major, op. 59: Allegro molto
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Editorial Review:
Amazon.com: Having toured the world with its Beethoven Quartets cycle as the old millennium entered the new, the Takács Quartet now commits some of them to disc. This two-CD set from Decca includes the three Razumovsky quartets, Op. 59, of 1806, and the Harp Quartet, Op. 74, sometimes known as the Lobkowitz after its dedicatee, composed in 1809. Although the latter's presto yields the fastest version of the fate motif Beethoven ever wrote, it is possible to go too quickly, as the Takács does here, making triplets of the first notes, which are not written as such. The speed of the dazzling finale of the Razumovsky No. 3 is impressive, but just fails to grip as firmly as a slightly slower, more controlled performance might.
On the other hand, the Thème Russe last movement of the Razumovsky No. 1 is a model of restraint, the playful parts entering from all angles with delightful measured precision, polished and perfect. The Takács' music breathes as if in a meditative trance the broad, shallow arch of the molto adagio, which lasts a satisfying quarter-hour in Razumovsky No. 2. The four play best what is calculated and intricate, like the theme and variations that conclude the Harp Quartet, giving each episode a distinct flavor. Variety is more important than usual on one-composer recordings such as this, and the members of the Takács Quartet prove themselves contemplative Beethovenians, who occasionally mistake the gallop for a stampede. --Rick Jones
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The Takacs Quartet resides at Colorado Univ. Boulder where they regularly play to sold-out audiences. I was fortunate enough to hear them once and was absolutely mezmerized by the sheer mastery of these musicians. Edward Dusinbere's lead violin especially left me transfixed by the nuance of his playing.
Such artisty is heard on this landmark recording of Beethoven's revolutionary Op. 59/74 quartets which rated a Gramophone "Gem" award along with their sister recording of the late quartets. Behold some of the finest quartet playing on disc - modern or historic. Compositions - 5 stars; Performances - 5 stars; Sound quality - 4.5 stars.
Another budget set to consider is Alban Berg Quartet on EMI which I deeply appreciate ... Read More:
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It is difficult for this amateur music appreciator to imagine a more intimate art music experience than to see and hear (or, if necessary, simply to hear) chamber music played by a quartet as passionate and expert as the Takacs. I first encountered this ensemble in Indianapolis in a concert hall that by its very physical parameters requires an intimate experience.
Beethoven was not on the program that evening, but the Takacs turned this listener's experience into an almost strenous physicality. One hears, of course. But one also sees and participates in the performative experience that occurs each time this quartet takes their chairs and has one more go at an enduring piece of the repertoire.
Beethoven seems almost to have ... Read More:
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A lot of more or less perfect performances of the middle quartets are avaiable, but this is the most exciting. There is a price to pay for excitement, that is a lesser feeling of balance, of perfect architecture. For my part I happily pay that price, because to me, the middle Beethoven was very much about excitement. The master would certainly enjoy the playing of the Takacs. If this is your first set of Beethoven's middle quartets, you will hardly accept other; this is so exceptional.
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This is the 2nd part of my full review of the Takacs string quartets. Part 1 is for the Opus18 Quartets and Part 3 for the Late Quartets.
I am a Busch Quartet Lover (as are the Takacs players themselves) so those quartets loom in the back of my mind as the standard against which other performances are measured. Since the Busch performances were loved against years of listening to many other quartets as well, it is high praise for the Takacs that I consider the Takacs often their equal, and on some occasions (op59 no3) even superiour.
The Takacs are certainly one of the strongest modern quartets, offering outstanding virtuosity in all 4 positions married to a large variety of tonal expression. They don't quite have the novelty ... Read More:
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This set is amazing. I have had the pleasure of hearing the Berg, Lindsay, Emerson, and Julliard string quartets interpret the opus 59s, and I must say that the Takacs outdoes them all. Before this recording was introduced to me, I had a deep affection for the Emerson and Julliard's recordings. That has most certainly changed now. The Takacs fulfilled all my preconceived notions about what these pieces require, and introduced me to much much more. The finale of the op. 59 no.3 is astounding (a term I would never use to describe the previous quartets' interpretations), and, in my opinion shatters the attempts of the Emerson's rendition - I'm not sure where Mr. Jones finds so much room to complain about the finale of the no. 3 - nevertheless he is wrong. The ... Read More:
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