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Music : Nuevo

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Nuevo
by: Cafe Tacuba, Luanne Warner

CD-Charts Price: $16.98
Prices subject to change.



Availability: Usually ships in 24 hours Binding: Audio CD
EAN: 0075597964929
Label: Nonesuch
Manufacturer: Nonesuch
Number Of Discs: 1
Publisher: Nonesuch
Release Date: April 09, 2002
Studio: Nonesuch
Sales Rank: 77825




Disc 1:
  1. El Sinaloense
  2. Se Me Hizo Facil
  3. Mini Skirt
  4. El Llorar
  5. Perfidia
  6. Sensemaya
  7. K'in Sventa Ch'ul Me'tik Kwadulupe ("Festival for the Holy Mother of Guadalupe")
  8. Tabu
  9. Cuatro Milpas ("Four Cornfields")
  10. Chavosuite
  11. Plasmaht
  12. Nacho Verduzco
  13. 12/12
  14. El Sinaloense (Dance Mix)
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Editorial Review:

Album Description:
With 'Nuevo' - a project based entirely around Mexican composers, musical traditions and influences - the Kronos Quartet have delivered one of the most striking group odysseys to date. Produced by Gustavo Santaolalla, both an authority on Latin American art music as well as the most in-demand producers of rock en espanol, the album also features a host of guest artists from both the concert hall as well as the streets of Mexico. Housed in a slipcase. 2002.

Amazon.com:
To say that the Kronos Quartet's Nuevo is their most adventurous outing to date is hardly an understatement. This diverse collection of Mexican compositions and traditional tunes brims with an unpredictable energy and a dazzling array of Latin American guest performers, and, yes, Kronos keeps up throughout. A cocktail pop tune from Esquivel gets covered, there's a chamber arrangement of Revueltas's sprawling orchestral work Sensemaya, and Nortec Collective member Plankton Man remixes Kronos's interpretation of "El Sinaloense" into a sizzling dance music track, which closes the disc. The playing is spirited, to say the least (just check out "El Llorar," with guest vocalists Alejandro Flores and Efren Vargas). But this is foremost a party record. A bevy of reverb effects and instrumentation (including a squeaky musical leaf solo on "Perfidia") ensures that things stay unpredictable. Production work by Rock en Espanol producer Gustavo Santaolalla infuses this disc with an edgy modernism. The bulk of these compositions have been arranged by composer Osvaldo Golijov, who seemingly brings a manic energy and a playfulness to everything he touches. Chamber music purists may scoff, but the rest of us will be busy dancing and thrilling to this exciting, genre-blurring Kronos project. --Jason Verlinde



Customer Reviews
Average Rating:  out of 5 stars

Rating: 3 out of 5 stars - Intriguing Music, No Context
Hearing the Kronos Quartet play selections from this album and talk about it one morning on NPR's St. Paul Sunday, I was captivated. They talked about the Mexican composers and musicians and how they had found them, and the instruments they played, the ways in which they were recorded. I wanted to learn more about these unique composers and musicians, and bought the album that morning. However, the liner notes offered absolutely nothing beyond who-played-on-what. It was a many-paged booklet, so cost wasn't a factor. Instead of discussions of these Mexican musicians and their instrumentation and careers, there were a lot of captionless photographs. Boring. The music that is haunting is still, of course, haunting and unique, but the producers ... Read More:



Rating: 1 out of 5 stars - Annoyingly gimmicky
The recording contains nary an unadulterated string quartet track. Each recording is either electronically altered or features additional instruments, presumably native to Mexico. But, who can tell? The booklet contains no program notes--just 15 pages of unidentified images, presumably from South of the Border. Many of the tracks end with a faux "on location" soundscape. Did the album's producer imagine there was an audience for random street noises, laughter and snippets of conversation? I wanted music, not feeble attempts at sound collage. And then there's the music itself. While each piece was performed with undeniable zeal by Kronos, none of it, in my view, was the least bit memorable. The sole representative from the "classical" repertoire, the ... Read More:



Rating: 3 out of 5 stars - screeching mariachi's
I bought it for the one-armed grass-leaf player. It's worth it just for that, but the first track is enough to put you off the rest of the album. It gets better once the rhytms overtake the sound.



Rating: 3 out of 5 stars - Good music, disappointing liner notes
At about 66 minutes, this recording is a better value than some of their CDs. But one almost constant complaint that I have with Kronos Quartet releases is their poor or non-existent liner notes. This release is especially guilty. There is a big, thick booklet of worthless photography--mediocre pictures reproduced poorly on cheap paper. Were they trying to throw some some photgraphers a bone? There is nothing about the composers (except their birth dates) or their music, or the musician's perspective, etc. And, since some of the composers are deceased, an opportunity was lost to discuss their music and their lives.

Very, very poor production decisions.




Rating: 5 out of 5 stars - Amazing!!!!!!
If you by chance still don't know what Kronos`s is about remember that there are two types of chamber music ensembles: Kronos and the rest. So if you have in your mind the traditional sound, aesthetic of a string quartet, go for the rest (Alban Berg, Ittaliano, Melos, Emerson...) and forget Kronos. For if I had only one chance to apply the title- word "avant-garde", I would do it concerning Kronos. They are irreverent. Forget traditional repertoire (and Bartok is traditional for them). As far as I know they play modern music (Glass, Reich, Scnittke) or new repertoire like World Music. They play with amazing virtuosism and richness of textures. If you try to explore Kronos world, open your mind to a new, non conventional type of sounds.
So what ... Read More:

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