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"C'est ca la vie, c'est ca l'amour": French Operetta Arias
by: Reynaldo Hahn, Andre Messager, Susan Graham, Yves Abel, City of Birmingham Symphony
CD-Charts Price: $17.98 Prices subject to change.
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Availability: Usually ships in 24 hours
Binding: Audio CD
EAN: 0809274210623
Label: Erato
Manufacturer: Erato
Number Of Discs: 1
Publisher: Erato
Release Date: April 02, 2002
Studio: Erato
Sales Rank: 152028
Disc 1:- "C'est ca la vie, c'est ca l'amour" (Moises Simons, from Toi c'est moi, 1934)
- "J'ai deux amants" (Andre Messager, from L'Amour masque, 1923)
- "Yes" (Maurice Yvain, from Yes, 1928)
- "Si vous saviez" (Arthur Honegger, from Les Aventures du roi Pausole, 1930)
- "O mon bel inconnu" (Reynaldo Hahn, from O mon bel inconnu, 1933)
- "Je ne vois rien..Lorsque je n'etais qu'une enfant" (Andre Messager, from Fortunio, 1907)
- "Les hommes sont biens tous les memes" (Andre Messager, from Coups de roulis, 1928)
- "Air de la Lettre" (Reynaldo Hahn, from Brummell, 1931)
- "L'amour est un oiseau rebelle" (Andre Messager, from Passionnement, 1926)
- "Vois-tu, je m'en veux" (Andre Messager, from Les P'tites Michu, 1897)
- "Etre adore" (Reynaldo Hahn, from Mozart, 1925)
- "Je regrette mon Pressigny" (Andre Messager, from la Petite Fonctionnaire, 1921)
- "Amour, amour, quel est donc ton pouvoir" (Andre Messager, from Les Dragons de l"Imperatrice, 1905)
- "Mon reve" (Andre Messager, from L'Amour masque, 1923)
- "C'est tres vilain d'etre infidele" (Reynaldo Hahn, from O mon bel inconnu, 1933)
- "C'est pas Paris, c'est sa banlieue" (Reynaldo Hahn, from Ciboulette, 1923)
- "Vagabonde" (Moises Simons, from Toi c'est moi, 1934)
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Editorial Review:
Amazon.com: This record presents the esteemed opera singer and French music specialist Susan Graham in a new light. French operetta began with Jacques Offenbach (creator of The Tales of Hoffmann) in the 1850s; his ability to blend sweet lovely melodies with bitter political satire made him and the form famous, and composers all over the world have emulated him ever since, including those represented on this disc. Most of them, though popular during their lifetime, are hardly known today. The most familiar are Arthur Honegger and Reynaldo Hahn, though not primarily as operetta composers; the latter contributes some of the loveliest music.
The arias on this program are thoroughly appealing and very different, ranging from frothy creampuffs to almost operatic dramas, from ingenuous simplicity to ironic sophistication. As one might expect, the texts, all written from a woman's point of view, focus on the relationships between men and women in all their infinite, subtle variety. Susan Graham uses her very beautiful voice and captivating charm to bring out the teasing humor, the intimacy, passion, joy, and regret in words and music. One song is a trio, but since no other singers are mentioned, one assumes that she covers all three parts! The first song is the only one in which the singing is artificial and exaggerated, as if Graham were feeling her way into the style. The orchestra is very good, but some of the arrangements are overloaded. --Edith Eisler
Average Rating: 
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Though it's fair to say that the stunning title track reaches a creative standard unmatched by any of the later items (no wonder it comes first), this is still refreshing stuff, which will bring out the slumbering Maurice Chevalier in us all. Anyone who can hear it without wanting to grab the nearest straw hat and proclaim "Zank 'eaven for leedle girrrrrlz" is a tougher man than I am, Gunga Din.
Refreshing stuff, but seldom flippant. Other than the X-rated Honegger song (who'd have thought sober-sided Artur H had a bawdy streak in him?) and the subtler but still eyebrow-raising Maurice Yvain number "Yes", the prevailing atmosphere is often surprisingly operatic. Surprising at any rate to me, since I can't recall hearing most of ... Read More:
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A delightful album by Graham, who has apparently been cast as a French expert...but I wish there had been a few more uptempo numbers on here, so many of them are slow that it almost detracts from the sparkle of her singing. Great performances and sound, though.
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When one thinks of 'French operetta', the composer that most often springs to mind is Jacques Offenbach. However, the generations of operetta composers that came after him also produced some wonderful music. Unfortunately, although these works were very popular in their time, they are virtually forgotten today. Apart from Andre Messager, the best known names on this anthology, Reynaldo Hahn and Arthur Honneger, are better known for other types of work, and most of the other composers are unknowns. Susan Graham, perhaps the finest American mezzo-soprano of our time, is to be commended for bringing these sweets out into the open once again.
Graham is a singer very much in the mold of Frederica von Stade - like von Stade, she is best ... Read More:
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SUSAN GRAHAM had me an addict of her voice with her marvelous songs of REYNALDO HAHN,a treasure that i cherish.This FRENCH OPERETTA ARIAS is still a good cd,but lighter and fluffier.Not surprizingly, i consider the HAHN arias the highlight of this record.It seems to me that SUSAN has real affinities with the composer of CIBOULETTE and O MON BEL INCONNU.O MON BEL INCONNU and ETRE ADORÉ are wonderfully sung and are worth the price of the cd.I did not completely enjoy the first 4 numbers,although i should say that they are correctly done.Maybe i simply can't accept the fact that SUSAN can sing humourous stuff.Well that's my problem isn't it?I have the original version of J'AI DEUX AMANTS sung by YVONNE PRINTEMPS and the comparaison gives advantage ... Read More:
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Graham has never been better in this disc of delightful French operetta arias. A must for fans of the artist. And I dare you to get that opening track out of your head!!
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