Availability: Usually ships in 24 hours
Binding: Audio CD
EAN: 0731458941422
Label: Umvd Labels
Manufacturer: Umvd Labels
Number Of Discs: 1
Publisher: Umvd Labels
Release Date: February 26, 2002
Studio: Umvd Labels
Sales Rank: 35455
MPN: 589414
Disc 1:- Corcovado (Quiet Nights Of Quiet Stars)
- Desafinado-Instrumental Version
- Chega De Saudade (No More Blues)
- The Girl From Ipanema
- O Morro Nao Tem Vez
- Vivo Sonhando (Dreamer)
- One Note Samba-Instrumental Version
- Eu E Voce (Me And You)
- Desafinado-Vocal Version
- Once Again (Outra Vez)
- O Grande Amor
- So Danco Samba
- How Insensitive
- One Note Samba-Vocal Version
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Editorial Review:
Amazon.com: When guitarist Charlie Byrd first introduced bossa nova to Stan Getz in 1962, the saxophonist gave the lilting Brazilian rhythm its perfect American voice. Getz's sinuous lines and piping tenor sax sound merged with the understated samba beat to create an irresistible blend of cool jazz and warm Latin sensibilities. This CD gives us bossa nova's greatest soloist playing the tunes of its greatest composer, culling every song by Antonio Carlos Jobim that Getz recorded for Verve between 1962 and 1964. The biggest hits are here, including "The Girl from Ipanema" and "Corcovado" with João and Astrud Gilberto's charming vocals, while "Desafinado" and "One Note Samba" appear in both the original instrumental versions with Charlie Byrd and later vocal recordings with the Brazilians. The surprises come with the lesser-known Jobim songs, like "O Morro Nao Tem Vez," a gently keening, minor theme accompanied here by a largely Brazilian band that includes Jobim and the superb guitarist Luiz Bonfá. Another is "Eu e Voce," with Getz soaring in a Carnegie Hall performance. Subtle differences abound in the way the different Brazilian and American groups approach the material, but it's all tied together by Jobim's scintillating melodies and Getz's gorgeous sound and inspired improvisations. --Stuart Broomer
Average Rating: 
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I enjoy this CD so much. It's really mellow. I picture myself walking around little streets in Europe listening to this. I can't help but grin when I play it. It's a nice departure from a lot of stuff that's out these days.
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What can I say? Stan Getz at his best. If you like Jazz, you gotta have it!
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Thanks to chillout and lounge artists such as Thievery Corporation, over the past few years Bossa Nova has once more come to the forefront of our musical consciousness. So today, almost three years after its release, this compilation of Bossa Nova works by American sax player Stan Getz comes in more than handy: it comes in timely, to reinforce Bossa as a groove that was more than a plain elevator music fad that lasted only for 3 years of our collective lives, in the early sixties.
Bossa is a downbeat, sexy statement to relax to, in a couch or while standing sipping through a coffee. It is a way of seeing the world without taking it all too seriously, it is -in a way- a happy way of seeing the world, which we need so direly in these ... Read More:
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The merger of cool American saxophone with sultry Brazilian folk sounds hit our shores in 1962, and was pretty much over by '65. While the craze was hot, it was everywhere. Now, 40 years later, it still pleases, especially because one never hears music like this on radio stations. Stan Getz was the USA's big champion of this style, and this CD takes selections from six of his vinyl LP's from the early '60's. Joining him are Antonio Carlos Jobim, composer, pianist and guitarist; singers Astrud and Joao Gilberto; vibraphonist Gary Burton and guitarist Jim Hall. All the biggest Bossa Nova hits are on here, in original versions. The mood is mostly mellow, but it's a happy hour overall. If you like jazz, and you don't have any of the original records ... Read More:
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First impressions: The album is very "breathy" and sultry. They must have turned up the bass when they recorded it; even the tenor is more "breathy" than usual. Anyway, to simplify this, the bossa nova sound here has a sexy exuberance.
The liner notes are very thorough written by a guy named Neil Tesser from 'Jazziz Magazine' who is also a radio show host in Chicago. He includes a nice explanation as to how bossa nova came about and why it sounds so "laid back". (Basically a rebellion towards tango and bollero singers who were "projecting", their beautiful voices. Note how "projecting" is in quotation marks. Obviously a euphenism for shouting?)
What impressed me in the liner notes about Stan Getz is that he recorded five albums ... Read More:
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