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Schubert: Fierrabras
from: Dg Imports
Price: $25.17 Prices subject to change.
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Availability: Usually ships in 1-2 business days
Binding: Audio CD
EAN: 0028945950327
Format: Import
Label: Dg Imports
Manufacturer: Dg Imports
Number Of Discs: 2
Publisher: Dg Imports
Release Date: June 01, 2001
Studio: Dg Imports
Sales Rank: 212677
Disc 1:- Ov - The COE/Claudio Abbado
- Act 1, No.1. Intro: Der Runde Silberfaden - Brigitte Pinter/Karita Mattila
- Act 1, No.2. Duett: O Mog' Auf Froher Hoffnung Schwingen - Robert Gambill/Karita Mattila
- Act 1, No.3. Marsch Und Chor: Zu Hohen Ruhmespforten - Arnold Schoenberg Chor/Erwin Ortner
- Act 1, No.4. Ens: Rezitativ Und Chor: Rezitativ: Die Beute Lass, O Herr, Die Krieger Teilen/Chor... - Peter Svensson/Thomas Hampson/Robert Holl/Arnold Schoenberg Chor/Erwin Ortner
- Act 1, No.4. Ens: Arioso Und Chor: Arioso: Des Krieges Los Hat Euch Mir Ubergeben/Chor: Dem... - Robert Holl/Arnold Schoenberg Chor/Erwin Ortner
- Act 1, No.4. Ens: Rezitativ Und Erzahlung: Rezitativ: Wer Bist Du, Dessen Tiefgesenkter Blick... - Robert Holl/Thomas Hampson/Josef Protschka
- Act 1, No.4. Ens: Ens Und Chor: Der Landestochter Fromme Pflichten - Karita Mattila/Brigitte PInter/Robert Hall/Josef Protschka/Thomas Hampson
- Act 1, No.4. Ens: Qt Mit Chor: Dem Erfolg Vertrauen - Michael Weber/Peter Svensson/Robert Holl/Karita Mattila/Robert Gambill/Josef Protschka...
- Act 1, No.4. Ens: Marsch Und Chor (No.3 Da Capo): Zu Hohen Ruhmespforten - Arnold Schoenberg Chor/Erwin Ortner
- Act 1, No.5. Duett: Lass Uns Mutvoll Hoffen - Josef Protschka/Thomas Hampson
- Act 1, No.6. Finale I: Romanze (Duett): Der Abend Sinkt Auf Stiller Flur - Robert Gambill/Karita Mattila
- Act 1, No.6. Finale I: Rezitativ Und Arie: Was Qualst Du Mich, O Missgeschick!... In Tiefbewegter... - Josef Protschka
- Act 1, No.6. Finale I: Ens: Doch Horch! Was Regt Sich Noch In Stiller Nacht? - Josef Protschka/Arnold Schoenberg Chor/Erwin Ortner/Karita Mattila/Robert Gambill
- Act 1, No.6. Finale I: Szene Und Terzett: Ha, Hier Waltet Ein Verrat! - Josef Protschka/Robert Gambill/Karita Mattila
- Act 1, No.6. Finale I: Rezitativ: Nun Fasset Mut! - Josef Protschka/Karita Mattila
- Act 1, No.6. Finale I: Rezitativ, Terzett Und Ens: Rezitativ: Ha! - Wie, Emma Hier?/Terzett: Das... - Karita Mattila/Josef Protschka/Robert Holl
- Act 1, No.6. Finale I: Rezitativ, Terzett Und Ens: Ens: Dich Rief Ich, Eginhard - Robert Holl/Robert Gambill/Karita Mattila/Josef Protschka
- Act 1, No.6. Finale I: Qt Mit Chor: Fort Zum Siegesreigen - Michael Weber/Karita Mattila/Robert Gambill/Josef Protschka/Robert Holl
Disc 2:- Act II, No.7. Lied Mit Chor: Im Jungen Morgenstrahle - Robert Gambill/Thomas Hampson/Michael Weber
- Act II, No.8. Rezitativ, Marsch (Mit Melodram) Und Ens: Rezitativ: Beschlossen Ist's, Ich Lose... - Robert Gambill/Hartmut Welker/Laszlo Polgar
- Act II, No.8. Duett Mit Chor: Was Ist Ihm Geschehn? - Thomas Hampson/Peter Svensson/Michael Weber
- Act II, No.9. Duett: Weit Uber Glanz Und Erdenschimmer - Cheryl Studer/Brigitte Balleys
- Act II, No.10. Qnt: Verderben Denn Und Fluch - Laszlo Polgar/Cheryl Studer/Brigitte Balleys/Robert Gambill/Hartmut Welker
- Act II, No.11. Chor: Lasst Friede In Die Hallen - Arnold Schoenberg Chor/Erwin Ortner
- Act II, No.12. Terzett Mit Chor: Im Tode Sollt Ihr Bussen - Laszlo Polgar/Thomas Hampson/Cheryl Studer/Michael Weber
- Act II, No.12. Terzett Mit Chor: Sie Sollen Erblassen In Heimlicher Not - Laszlo Polgar/Cheryl Studer/Thomas Hampson/Michael Weber
- Act II, No.13. Arie: Die Brust, Gebeugt Von Sorgen - Cheryl Studer
- Act II, No.14. Chor A Cappella: O Teures Vaterland! - Robert Gambill/Peter Svensson/Thomas Hampson/Michael Weber
- Act II, No.15. Melodram: Melodram, Rezitativ Und Ens: Melodram: Ha! Was Ist Das?/Rezitativ Und... - Michael Weber/Jorg Schluckebier/Peter Svensson/Thomas Hampson/Cheryl Studer
- Act II, No.15. Melodram: Duett Mit Chor: Selbst An Des Grabes Rande - Thomas Hampson/Cheryl Studer/Michael Weber
- Act II, No.16. Chor Und Melodram: Chor: Der Hoffnung Strahl, Den Du Gegeben/Melodram: Ha, Neue Qual! - Michael Weber/Peter Svensson/Thomas Hampson/Cheryl Studer/Robert Gambill
- Act II, No.17. Finale II: Terzett Und Chor: Uns Fuhrt Der Vorsicht Weise Hand - Robert Gambill/Thomas Hampson/Cheryl Studer/Michael Weber
- Act II, No.17. Finale II: Melodram: Schutzt Ihn, Ihr Ew'gen Machte! - Cheryl Studer/Michael Weber
- Act III, No.18. Chor: Bald Tonet Der Reigen - Brigitte Pinter/Karita Mattila
- Act III, No.19. Qt Und Szene: Bald Wird Es Klar - Robert Holl/Karita Mattila/Josef Protschka
- Act III, No.19. Qt Und Szene: Wo Ist Mein Koniglicher Herr? - Robert Gambill/Karita Mattila/Josef Protschka/Robert Holl
- Act III, No.20. Terzett: Wenn Hoch Im Wolkensitze - Josef Protschka/Robert Gambill/Karita Mattila
- Act III, No.21. Arie Mit Chor: Des Jammers Herbe Qualen - Cheryl Studer/Michael Weber
- Act III, No.21. Marcia Funebre (Mit Melodram) Und Ens: Melodram: Welch Neuer Schreck!/Ens: Ha!... - Cheryl Studer/Jorg Schluckebier/Michael Weber
- Act III, No.22. Chor Und Ens: Chor: Der Rache Opfer Fallen - Laszlo Polgar
- Act III, No.22. Chor Und Ens: Ens: Erbarmen Fleht Zu Deinen Fussen - Cheryl Studer/Laszlo Polgar/Michael Weber/Thomas Hampson
- Act III, No.23. Finale: Rezitativ: Er Is Mein Vater, Halte Ein! - Josef Protschka/Cheryl Studer/Michael Weber
- Act III, No.23. Finale: Ens: Der Sieg Begleitet Meine Tapfern Heere/Rezitativ: Nun Lasst Des... - Robert Holl/Laszlo Polgar/Robert Gambill/Karita Mattila/Josef Protschka/Cheryl Studer...
- Act III, No.23. Finale: Schlussgesang: Vereint Durch Bruderbande - Robert Holl/Karita Mattila/Thomas Hampson/Peter Svensson/Jorg Schluckebier/Rainer Brandstetter...
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Average Rating: 
Rating: -
Schubert's operas have not received the attention that they actually deserve. This is even the case with Fierrabras, which is his major work for the genre. Conductors, directors, opera lovers, etc. - they have all rejected this work. For what reason? Well, the history is that the taste of the Vienna audience required Italian operas (i.e. Rossini); unfortunately at the time Schubert tried to get his masterpiece staged. As a result, it was first staged some 60 years after Schubert's death, and then by people who evidently prioritized some stereotyped idea of "opera" before the peculiar musical ideas of a master. In fact, the opera was not staged (nor recorded) unabridged before the Abbado 1988 live performance caught on this set. Thus it never ... Read More:
Rating: -
I've been learning a few things about opera in the last few years. The most important is that the Wagner-disease that afflicted opera reviewers for 150 years has cost all of us a lot of good music. The Wagner-disease is easy enough to diagnose: it's symptoms are a belief that the libretto is coequal or even superior to the music. Music must be meaningful - beautiful just won't do - it might even be a handicap. So we've learned that baroque Italian operas were a waste until Gluck's "reforms." Bel Canto was nearly forgotten and wouldn't have been revived had it not been for Calas and Sutherland. Oh yea: Haydn's operas were a waste. Thanks to folks like Cecilia Bartoli we've found out that these opinions are rubbish. (Check out Bartoli & Hogwood's ... Read More:
Rating: -
Other than being the only one of the heroes who finishes up without a girl, his is not even one of the most distinctive parts and he gets nothing to sing in Act II. Florinda is a more dramatic role than the rest put together despite not appearing in Act I. The basis of the plot is as follows:-
Emma daughter of Charlemagne secretly loves Eginhard who is out of favour with her father who is at war with the Moors. In Charlemagne's victorious retinue is Roland who has captured Fierrabras son of the Moorish Prince Boland. Fierrabras secretly loves Emma since he met her in Italy 4 years previously. Roland secretly loves Florinda sister of Fierrabras after meeting her in Italy at the same time. Fierrabras is gutted to find that Emma loves Eginhard, ... Read More:
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