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Venetian Vespers (Monteverdi * Rigatti * Grandi * Cavalli) /Gabrieli Consort & Players * McCreesh
by: Research Composer, Giovanni Antonio Rigatti, Alessandro Grandi, Claudio Monteverdi, Adriano Banchieri, Giacomo Finetti, Pietro Francesco Cavalli, Anonymous, Gregorian Chant, Biagio Marini, Gabrieli Consort, Charles Daniels, Paul McCreesh, Alison Wray, Jonathan Best, Tessa Bonner, Angus Smith, Peter Harvey, Robert Horn, Paula Chateauneuf, Timothy Roberts, Susan Hemington Jones, Fred Jacobs, Celia Harper, Charles Pott, Florian Deuter, Gabrieli Players
Price: $39.95 Prices subject to change.
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Availability: Usually ships in 1-2 business days
Binding: Audio CD
EAN: 0028943755221
Label: Polygram Records
Manufacturer: Polygram Records
Number Of Discs: 2
Publisher: Polygram Records
Release Date: May 11, 1993
Studio: Polygram Records
Sales Rank: 78282
Disc 1:- Sacristy Bell (after G. Gabrieli)
- Organ: Intonazione
- Versicle & Response: Deus in adiutorium - Domine ad adiuvandum
- Antiphon: Angelus Domini
- Psalm: Dixit Dominus
- Motet: O intemerata
- Antiphon: Beata es Maria
- Psalm 112: Laudate peuri
- Organ: Suonata prima
- Antiphon: Beatam me dicent
- Psalm 121: Laetatus sum
- Motet: O Maria, quae rapis corda hominum
- Antiphon: Haec est quae nescavit
- Psalm 126: Nisi Dominus
- Organ: Dialogo secondo (Banchieri)
- Antiphon: Ante thronum
- Psalm 147: Lauda Jerusalem
- Motet: O quam tu pulchra es
Disc 2:- Organ: Praeambulum
- Chapter: Ecce virgo
- Hymn: Deus qui mundum crimine iacentem
- Versicle & Response: Ave Maria / Dominus tecum
- Antiphon: Spiritus Sanctus
- Magnificat
- Sonata con tre violini in eco
- Collect: Dominus vobiscum - Deus, qui de beatae Mariae
- Dismissal: Dominus vobiscum - Benedicamus Domino
- Motet: Laudate Dominum (Monteverdi)
- Organ: Intonazione
- Motet: Salve regina
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Editorial Review:
Amazon.com essential recording: Paul McCreesh's second major recording (and second Gramophone Award winner) reconstructs Vespers for the Feast of the Annunciation at San Marco circa 1643, using music by Monteverdi and contemporaries including Cavalli, Grandi, and Rigatti. The music is less dense and lavishly scored than on A Venetian Coronation, but more virtuosic and varied--ranging from Finetti's sweet, languid "O Maria, quæ rapis" for two falsettists and Monteverdi's lively "Laudate Dominum" for solo tenor, to Marini's sensuous sonata for three violins and Monteverdi's spectacular "Lætatus sum" for six singers, two violins, two trombones, and bassoon over a repeated four-note bass. There is so much excitement here that even the opening of "Lætatus sum"--four measures of only the repeating bass--shimmers with energy. --Matthew Westphal
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This really a fine recording. I bought my copy one sunny Saturday morning in Melbourne in around 1993. I saw it on the shelf and I got my wallet out. I was completely blown away by the music on this disc. Rigatti was a real discovery for me.
The use of high falsettists in the chorus and solos is particularly effective and gives us a real insight into the sounds of music in Venice in the early 17th century.
I cannot recommend this marvellous recording too highly, it is clearly one of the best made by the Gabrieli Consort, Choir & Players.
Great playing from the strings, cornetti and tromboni.
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Venice, once the most powerful city in the world due to its position in trade routes and as a nexus for military activities between the East and West, was also a leading centre for the arts and music for generations. As often happens, the cultural influence of the city remained strong long after the political and economic power was gone. So strong was the influence of Venice at this time that musicians and artists of other nations came to Venice to study, and carried back the influence to their home countries. One of the towering figures of this history was Claudio Monteverdi, who along with his many compositions sacred and secular, is credited with the first opera, 'L'Orfeo'. Monteverdi's compositions form the heart of this collection, ... Read More:
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Excellent 2-disc release by the Gabrieli Consort. The falsettists were supreme!
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The Vespers that Paul McLeish has reconstructed here are those that might have occurred on March 24, 1643, just one year before the death of Monteverdi whose music figures prominently in this service. Vespers is the principle evening service of the Catholic Church and in Venice the music written for this service was spectacular. At San Marco, the Doge regularly attended Vespers and it was typical that the Pala d'oro, the fantastic piece of Byzantine art, was on display.
The music recorded here has great appeal. The Dixit Dominus by Giovanni Antonio Rigatti is very evocative of the warlike nature of Psalm 109 and the four pieces by Monteverdi are among his best works. Of these, the Laetatus sum on Psalm 121 is characterized ... Read More:
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Paul McCreesh and his Gabrieli Consort and Players have put together an entirely captivating re-creation of a Vespers service, the Catholic office of evening prayer, as it might have been performed at St. Mark's in Venice in the early 17th century. From the sacristy bell, to the chants, to the massive and breathtaking polychoral hymns and psalms, McCreesh weaves a tapestry of sound that is simply unparalleled. The Gabrieli Players' violinists play with such Italianate freshness and detail -- down to the last trill -- and the sopranos' voices are so fresh and lively that this CD is simply a must-own for any fan of Early Music. Having just seen the Consort and Players perform in Columbus, OH on 15 Dec. 1999, I can say for sure that ... Read More:
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