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Music : Schoenberg - Gurre-Leider ~ 4 Songs, Op. 22 / Napier, Minton, Nimsgern, J. Thomas, BBC SO, Boulez
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Schoenberg - Gurre-Leider ~ 4 Songs, Op. 22 / Napier, Minton, Nimsgern, J. Thomas, BBC SO, Boulez
by: Arnold Schoenberg, BBC Symphony Orchestra, Pierre Boulez, Marita Napier, Siegmund Nimsgern, Jess Thomas, Yvonne Minton, BBC Singers, Gentlemen of the London Philharmonic Choir, BBC Choral Society
CD-Charts Price: $23.98 Prices subject to change.
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Availability: Usually ships in 24 hours
Binding: Audio CD
EAN: 0074644845921
Label: Sony
Manufacturer: Sony
Number Of Discs: 2
Publisher: Sony
Release Date: July 13, 1993
Studio: Sony
Sales Rank: 173689
MPN: 48459
Disc 1:- Part I: Orchestral Prelude
- Part I: Nun Dämpft Die Dämmrung Jeden Ton
- Part I: O, Wenn Des Mondes Strahlen Leise Gleiten
- Part I: Roß! Mein Roß! Was Schleichst Du So Träg!
- Part I: Sterne Jubeln, Das Meer, Es Leuchtet
- Part I: So Tanzen Die Engel Vor Gottes Thron Nicht
- Part I: Nun Sag'ich Dir Zum Ersten Mal
- Part I: Es Ist Mitternachtszeit
- Part I: Du Sendest Mir Einen Liebesblick
- Part I: Du Wunderliche Tove!
- Part I: Tauben Von TGurre! Sorge Quält Mich
Disc 2:- Part II: Herrgott, Weißt Du, Was Du Tatest
- Part III: Erwacht, König Waldemars Mannen Wert!
- Part III: Deckel Des Sarges Klappert Und Klappt
- Part III: Gegrüßt, O König, An Gurresees Strand!
- Part III: Mit Toves Stimme Flüstert Der Wald
- Part III: Ein Seltsamer Vogel Ist So'n Aal
- Part III: Du Strenger Richter Droben
- Part III: Der Hahn Erhebt Den Kopf Zur Kraht
- No.1, Seraphita
- No.2, Alle, welche dIch suchen
- No.3, Mach mich zum Wächter deiner Weiten
- No.4, Virgefühl
- Part III - The Wild Hunt Of The Summer Wind: Herr Gänsefuß, Frau Gänsekraut
Related Items:- Arnold Schoenberg: Serenade/Five Pieces For Orchestra
- Schoenberg: Chamber Symphony No1; Die Jacobsleiter
- Arnold Schoenberg: Moses Und Aron/Chamber Symphony No. 2, Op. 38
- Schoenberg - Die Glückliche Hand · Variations for Orchestra, Op.31 · Verklärte Nacht / Nimsgern · BBC Orch. · NY Phil. · Boulez
- Arnold Schoenberg: Suite, Op. 29, for 2 Clarinets, Bass Clarinet, Violin, Viola, Cello & Piano / Verklärte Nacht, Op. 4 (Sextet for 2 Violins, 2 Violas & 2 Celli) - Ensemble Intercontemporain, Pierre
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Average Rating: 
Rating: -
Relatively speaking, Boulez's 1975 Gurrelieder form London has second-rate forces. Except for the excellent chorus, we aren't hearing the foll-blown virtuosity that this work demands, fully as much as Eledtra or a major Mahler symphony. On the orchestral side this can be compensated for by Boulez's excellent conducting, but even there one wonders how committed he felt towards the work's ultra-lush romanticism. There's something too tentative going on. The real problem are th soloists. Jess Thomas makes for a bland Waldemar, and soprano Marita Napier simply hasn't the voice for Tove, and she, too is bland.
With at least three rivals whose performances are sweeping and exciting (Chailly on Decca, Ozawa on Philips, and Levine in a ... Read More:
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As a general rule I'm a big fan of Boulez's recordings of modern works, but I have one major problem with this work. When a conductor has a work with a very large orchestra the conductor has to be particularly careful about making sure that the sounds stay distinct; otherwise the individual instruments are going to get lost in the large sound of the orchestra as a whole. The sound here sounds great at the softer moments of the work, but there are critical moments that are botched. For example, the sounds in the hunting song for male choruses are very uneven. And the finale for dawn is a total mess; the sounds disappear into one, loud blaring noise. I've heard recordings that have handled these forces much better.
Rating: -
Boulez is the world's greatest living conductor. He is an expert in Bruckner, Mahler, and Schoenberg. This realization of the Gurrelieder is about the best one currently available on CD. The Gurrelieder, by the way, is an huge song-cycle for full orchestra, vocal soloists, and chorus. Mostly completed by c.1900, the Gurrelieder is one of the great works of Schoenberg's First Period (c.1897-1907). When it finally premiered in Vienna in 1913, Schoenberg was hailed by the Viennese audience; this is funny in a bitterly ironic way, because by 1913 Schoenberg was already far past his First Period and well into his pantonal Expressionistic Second Period (c.1908-23). Moreover, Schoenberg was never "popular"--especially in the virulently anti-semitic ... Read More:
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