Binding: LP Record
EAN: 0016565507519
Label: Muse
Manufacturer: Muse
Publisher: Muse
Release Date: January 24, 1992
Studio: Muse
Disc 1:- Exit - Pat Martino, Martino, Pat
- Come Sunday - Pat Martino, Ellington, Duke
- Three Base Hit - Pat Martino, Martino, Pat
- Days of Wine and Roses - Pat Martino, Mancini, Henry
- Blue Bossa - Pat Martino, Dorham, Kenny
- I Remember Clifford - Pat Martino, Golson, Benny
Related Items:
Related Items:
see more
Browse for similar items by category:
Average Rating: 
Rating: -
I have never reviewed an album here until I saw that people actually gave this album 5 stars. I have rarely heard worse bass playing and the drumming was pretty bad, too. The only reason I was at this page was to see who the horrible players were. Luckily for them, their names weren't available. If it were me on the recording, I wouldn't want to broadcast it either.
By the way, I've seen Pat Martino live with Joey DeFrancesco and was amazed at that show. Martino has also been back with numerous disappointing performances with lacking players. Pat, bring players with you that are on your level!
Rating: -
Exit was the first Pat Martino album I puchased when I was a fledgling rock guitarist at 16 years old. What I heard on Exit changed my perspective on both musical genres and the difference between guitar players and guitar innovators. I had never heard anyone play solos such as in "Three Base Hit" and "Blue Bossa". The notes were completely articulate and the phrasing was both lyrical and explosive. I've heard Pat's syle referred to as "The Velvet Hammer" and I think that is an accurate metaphor for Pat's playing. Pat self-describes his solos as "spontanious combustion" and that's what I hear in his playing. His music turned my thinking from emulating rock and roll heros to the great jazz stylists, many of whom Pat says he learned from, such ... Read More:
Rating: -
Exit was the first Pat Martino album I puchased when I was a fledgling rock guitarist at 16 years old. What I heard on Exit changed both my pesrspective on both musical genres and the difference between guitar players and guitar innovators. I had never heard anyone play solos such as in "Three Base Hit" and "Blue Bossa". The notes were completely articulate and the phrasing was both lyrical and explosive. I've heard Pat's syle referred to as "The Velvet Hammer" and I think that is an accurate metaphor for Pat's playing. Pat self-describes his solos as "spontanious combustion" and that's what I hear in his solos. His music turned my thinking from emulating rock and roll heros to the great jazz stylists, many of whom Pat says he learned from, such ... Read More:
Rating: -
This is one of the great jazz recordings ever made.Sensitive ,expressive and deep ,it is a rare expression of musical talent. I've a great collection of blues ,rock and jazz...this is religion !
|