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Books : The Rest Is Noise: Listening to the Twentieth Century
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The Rest Is Noise: Listening to the Twentieth Century by: Alex Ross List Price: $30.00 CD-Charts Price: $19.80 You Save: $10.20 (34%)Prices subject to change. |
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Binding: Hardcover Dewey Decimal Number: 780.904 EAN: 9780374249397 ISBN: 0374249393 Label: Farrar, Straus and Giroux Manufacturer: Farrar, Straus and Giroux Number Of Items: 1 Number Of Pages: 640 Publication Date: October 16, 2007 Publisher: Farrar, Straus and Giroux Release Date: October 16, 2007 Studio: Farrar, Straus and Giroux Sales Rank: 1102 Related Items:
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Editorial Review: Product Description: The scandal over modern music has not died down. While paintings by Pablo Picasso and Jackson Pollock sell for a hundred million dollars or more, shocking musical works from Stravinsky’s Rite of Spring onward still send ripples of unease through audiences. At the same time, the influence of modern music can be felt everywhere. Avant-garde sounds populate the soundtracks of Hollywood thrillers. Minimalist music has had a huge effect on rock, pop, and dance music from the Velvet Underground onward. Alex Ross, the brilliant music critic for The New Yorker, shines a bright light on this secret world, and shows how it has pervaded every corner of twentieth century life. The Rest Is Noise takes the reader inside the labyrinth of modern sound. It tells of maverick personalities who have resisted the cult of the classical past, struggled against the indifference of a wide public, and defied the will of dictators. Whether they have charmed audiences with the purest beauty or battered them with the purest noise, composers have always been exuberantly of the present, defying the stereotype of classical music as a dying art. Ross, in this sweeping and dramatic narrative, takes us from Vienna before the First World War to Paris in the twenties, from Hitler’s Germany and Stalin’s Russia to downtown New York in the sixties and seventies. We follow the rise of mass culture and mass politics, of dramatic new technologies, of hot and cold wars, of experiments, revolutions, riots, and friendships forged and broken. In the tradition of Simon Schama’s The Embarrassment of Riches and Louis Menand’s The Metaphysical Club, the end result is not so much a history of twentieth-century music as a history of the twentieth century through its music. Amazon.ca: Anyone who has ever gamely tried and failed to absorb, enjoy, and--especially--understand the complex works of Schoenberg, Mahler, Strauss, or even Philip Glass will allow themselves a wry smile reading New Yorker music critic Alex Ross's outstanding The Rest Is Noise. Not only does Ross manage to give historical, biographical, and social context to 20th-century pieces both major and minor, he brings the scores alive in language that's accessible and dramatic. Take Ross's description of Schoenberg's Second Quartet, "in which he hesitates at a crossroads, contemplating various paths forming in front of him. The first movement, written the previous year, still uses a fairly conventional late-Romantic language. The second movement, by contrast, is a hallucinatory Scherzo, unlike any other music at the time. It contains fragments of the folk song 'Ach, du lieber Augustin'--the same tune that held Freudian significance for Mahler. For Schoenberg, the song seems to represent a bygone world disintegrating; the crucial line is 'Alles ist hin' (all is lost). The movement ends in a fearsome sequence of four-note figures, which are made up of fourths separated by a tritone. In them may be discerned traces of the bifurcated scale that begins Salome. But there is no longer a sense of tonalities colliding. Instead, the very concept of a chord is dissolving into a matrix of intervals." Armed with such a detailed aural roadmap, even a troglodyte--or a heavy metal fan--can explore these pivotal works anew. But it's not all crashing cymbals, honking tubas, and somber Germans stroking their chins. Ross also presents the human dramas (affairs, wars, etc.) behind these sweeping compositions while managing, against the odds, to discuss C-major triads, pentatonic scales, and B-flat dominant sevenths without making our eyes glaze over. And he draws a direct link between the Beatles and Sibelius. It's no surprise that the New York Times named The Rest Is Noise one of the 10 Best Books of 2007. Music nerds have found their most articulate valedictorian. --Kim Hughes Customer Reviews
Average Rating:
 Rating:  - jack's pickThis is a great read. There are very few books on this subject. This book has taken some of the enigma out of this style of music. Rating: - intellectually exciting This is an exhilirating intellectual tour de force. Ross is the best "describer" of music I've ever read. Music resists being put into words -- they are two very different media. But Ross has the ability to do this -- his descriptions of works I am familiar with is always both precise and exciting. He makes the reader hear or at least want to hear the music. But his major contribution is to fuse 20th century music with the many political and social forces that shaped it. His description of the sufferings of Prokofiev and Shostakovitch under the malign rule of Stalin is tremendously moving. Ross does not make the mistake of glorifying composers just because they were musical geniuses. Richard Strauss, Shostakovitch, Alban Berg, Copland, ... Read More: Rating: - excelent introduction to 20th century music and its contextThis book addresses a long-standing desire to familiarize myself with 20th Century "classical" music. I really enjoyed it and found it a very educational resource for my musical exploration. I know the term "classical" is incorrect - call it concert music, music in the European tradition of composed music, art music, WHATEVER! For better or for worse using the term "classical" allows most people to know what you're talking about. For that reason I will use that term in the rest of the review. In a TV interview and in the preface to the book the author commented that he listened exclusively to classical music until college. In college he would play some things to his fellow students, who would comment that it sounded like Sonic ... Read More: Rating:  - Good Quality, Timely DeliveryI am happy with the quality of the book I recieved and also the timely manner in which it arrived. Rating: - Notes on TonesThis a wonderful book. It presents a spiky topic with clarity, sincerity and humor. Never once did I get the feeling that the author was a critic writing just for other critics or a historian writing for the ages. I recommend this book to anyone who feels intimidated or baffled by 20th century classical music. It probably won't change your ambivalence toward a lot of this music, but it will give your curiosity a leg up. |
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